Fine Art

The artist might have been unknown, the subject unconfirmed, but this unsigned 133/4 x 173/4in (35 x 45cm) Victorian oil, right, of figures on the deck of a yacht was nonetheless the most hotly contested lot at Stride & Son’s (15% buyer’s premium) August 29 sale in Chichester.

If the forthcoming 20/21 British Art Fair at the Commonwealth Institute proves as successful as many dealers are hoping, there will be no shortage of competition for this signed and inscribed Eric Ravilious (1903-1942) watercolour, right, Hull’s Mill, coming up for sale at the Stansted Mountfichet rooms of Sworders (15% buyer’s premium) on October 21.

Fred T. Jane is a turn-of-the-century artist who doesn’t make much of an impact in the sort of standard reference works that line the office walls of serious auctioneers and dealers.

The strong collecting base for miniatures has cushioned this market from the wider economic vagaries that have affected other more trade-dependent fields such as furniture and silver. Bonhams Bond Street (19.5/10% buyer’s premium) specialist Emma Rutherford reckoned around 80 per cent of entries sold privately in their 193-lot routine miniature and silhouettes sale back on July 1. “Our buyers tend to be retired and tend to have their money readily accessible,” she said.

Twice a year Russian silver and icons are included in Christie’s South Kensington’s (17.5/10% buyer’s premium) routine miniature and vertu sales and it was the 44-lot Russian silver section that saw some of the most consistent bidding in this 587-lot July 15 outing.

THE Burlington Magazine have extra reason to celebrate their centenary this month as they unveil the rediscovery of a lost work by Benvenuto Cellini. The 19in (48cm) bronze statuette of a satyr has been identified during the preparation of a catalogue raisonné of sculpture in the Royal Collection.

In terms of ‘Old Masters’ in their strictest sense, the July 9 sale sale at Bonhams (19.5/10% buyer’s premium) Knightsbridge might have been conspicuously short of quality, but the presence of this fine George Stubbs (1724-1806) canvas of a dark bay in a landscape. right, gave proceedings a lift when it sold at £1.75m to an American collector represented by London dealer Ray Waterhouse in the room.

ON June 17, Finarte-Semenzato held a further sale of furniture and Old Master paintings in Milan, offering almost 540 lots of which less than half sold.

Most celebrated for his murals in the café at Tate Britain, Rex Whistler (1905-1944) was also a fine draughtsman and illustrator as is shown in this pen, ink and watercolour drawing, Netherhampton House in the County of Wiltshire, right

Victorian painter Sophie Anderson (1823-1903), who specialised in heart-warming female figure studies, appears rather infrequently on the market, but a Hampshire religious institution furnished the Lewes branch of Gorringe’s (15% buyer’s premium) with two good quality, signed half-length female subjects in untouched condition for their June 12 picture sale.

TUCKED away through an archway next to wine merchants Berry Bros & Rudd in St James’s Street is Pickering Place, home of Nevil Keating Tollemache – formerly Nevill Keating. Pictures until director Angela Nevill formed a new company with Michael Tollemache, a past chairman of the Society of London Art Dealers and a specialist in Old Master and 19th century paintings.

JUDGING by the sales of photographic images at the recent artLONDON, the public appears to be warming to the genre as a serious art form. A further test of its acceptability may be gleaned until July 26 at Cork Street’s Hirschl Contemporary Art, with the showing of 10 or so photographs (£1000-1800) by Sian Bonnell, whose work is represented in the V&A and Houston’s Museum of Fine Art.

A watercolour and drawings sale held by Bonhams on June 10 included a small group of E.H. Shepard illustrations from the estate of the late Jean Ames, who as Jean Gourlay had befriended the artist during the late 1930s and early 1940s, prior to his second marriage, and though the saleroom was non-committal on the matter, it is possible that these versions were specially made by Shepard for Miss Ames.

Coming up in London: Hidden for over 300 years behind the work of a pupil, this image of one of the world’s most celebrated painters at the age of 28 has only recently emerged from beneath layers of overpaint. This newly discovered Rembrandt self-portrait promises to be the highlight of this summer’s auction season in London and will be offered for sale at Sotheby’s on July 10.

Russian Works of Art: Alongside the sale of Russian paintings in their Bond Street rooms on May 21, Sotheby’s also followed on the next day with a sale of Russian works of art at their Olympia rooms.

Miety Heiden, Sotheby’s Amsterdam (22% buyer’s premium) picture specialist had a sneaking suspicion that Schelde Roeier, an oil on canvas by Belgian Expressionist Constant Permeke (1886-1952), would do well when it was offered in the 170-lot May 27 sale of Modern and Contemporary Art in the Dutch capital. But no-one was prepared for the record breaking sum.

Highest bid among the 158 lots of Impressionist & Expressionist works on paper in the Tremmel collection auctioned by Ketterer Kunst on May 5-6 was the €130,000 (£89,700), just over top-estimate, paid in the room by a Rhineland dealer against six telephone bidders for Ernst Ludwig Kirchner’s Fränzi am Wasser Liegend (Fränzi Reclining at the Waterside, c.1910) in gouache, watercolour and chalk, 13 x 17in (33 x 43.5cm).

THOUGH the May 21 sale held by Dominic Winter was a collectors’ sale that also included motoring, maritime and railway models, photographs, prints, etc., it was the aviation material that had star billing. There was yet another selection from the Amédée Gauthier collection of photographs, arranged as before in thematic lots.

A man who had a 17th century Dutch panel painting stolen from his home more than 20 years ago has failed in an Appeal Court to win compensation from Christie’s, who offered the picture for sale in 1997. Key to the test case was Christie’s ability to show they had acted in good faith, adding further legal weight to the importance of due diligence.

SHOWHOUSES in new housing developments are often a depressing, formulaic affair but this is not the case at the best designed showhouse in town at 20 Aubrey Square, a new residential development of 20 town houses at Campden Hill, Kensington, London W8.