Fine Art

Using the incentive of financial guarantees, Sotheby’s have secured two spectacular consignments for the New York spring auction calendar: the Forbes collection of Fabergé and pictures from the Whitney collection.

After years of regular sales at all the major auction houses, marine painting is an area in which top quality works by the most desirable names are in increasingly short supply.

Following the £620 sale of three Wedgwood Ravilious Coronation mugs in November, Tom Delaney of Mallams in Cheltenham recalled seeing a similar mug in a local house – this much rarer example transfer printed with a brick kiln together with a silhouette portrait of Stoke-on-Trent’s most famous son and the inscription Josiah Wedgwood Barlaston 1940 Etruria 1730.

A French Foundation devoted to Swiss sculptor Alberto Giacometti (1901-66) has finally been launched, ten years after his widow Annette called for its creation in her will. The French government gave the Fondation Alberto & Annette Giacometti the green light on December 9.

FRANCE’S new auction watchdog has flexed its muscles for the first time, banning two paintings – one attributed to Van Gogh, the other to Toulouse-Lautrec – from sale on suspicion of being fakes.

While Sotheby’s incorporated their best objects of vertu into their silver sale on November 20, Christie’s offered theirs in tandem with portrait miniatures in a 264-lot sale the following month on December 9. The vertu side of the sale performed particularly well, with hardly any failures, most of the 55 unsold lots coming from the miniatures.

THE secret of great art is supposed to be not what’s put in, but what’s left out, but unfortunately the same doesn’t apply to art sales. The star lot of Christie’s (19.5/12% buyer’s premium) November 26 auction of Important British & Irish Art was meant to be this impressively decorative Sir Joshua Reynolds (1723-1792) portrait, right, of the celebrated exotic Georgian beauty, Mrs Baldwin.

A DRAWING by E.H. Shepard of Winnie the Pooh playing a balalaika raised bidding on a third edition of The House at Pooh Corner to £7000 in the Greenslade Taylor Hunt sale of November 13 – and although nothing else in the 825-lot Taunton catalogue came remotely close to that in financial terms, a few other lots deserve mention.

With Sotheby’s £6.7m Russian Pictures sale notching a hatful of records four days earlier, it was hardly a surprise to see some unfamiliar leather jacket-wearing, mobile phone-wielding characters turning up at Gorringes’ (15% buyer’s premium) November 21-23 sale at Lewes to view four paintings from the estate of a Knightsbridge-based lady who had once dealt in Russian objects.

SILVER, VERTU AND RUSSIAN WORKS OF ART £1 = $1.67: Christie’s (19.5/12% buyer’s premium) New York silver department has reasons to be cheerful: their October 21 sale, which saw selling rates of 78 per cent by lot and 82 by value for a premium-inclusive total of $5.95m (£3.56m) was boosted further when New York dealers Shrubsole bought the magnificent Charles II silver-gilt toilet service once in the collection of J.P. Morgan for a low-estimate $450,000 (£269,460) after the sale.

IN February 2004 Sotheby’s New Bond Street will mark the centenary of Cecil Beaton’s birth with an exhibition of his most celebrated photographs. Beaton at Large, which runs from February 10 to 20, will complement the National Portrait Gallery’s major retrospective, Cecil Beaton: Portraits, which runs from February 5 to May 3.

WITHDRAWN from sale at the eleventh hour, a recently-discovered portfolio of late 18th century topographical watercolours of Canada have been sold by private treaty to Library and Archives Canada and the Musée national des beaux-arts du Québec.

OVER 50 autograph letters and postcards addressed by Siegfried Sassoon to Professor Vivian de Sola Pinto are to be sold by Mill House Auctions of Helston on November 4, together with signed and inscribed copies of Sassoon’s books from de Sola Pinto’s library.

THE growing strength of the Modern British market has had plenty of publicity over the last couple of years, but strong demand for Post-War painting is hardly news to the Scottish and Irish collectors who have been faithfully backing the “Modern Celtic” market for decades.

London marine sales can be routine affairs, but there was a frisson of speculative interest in this unsigned and unattributed 19th century canvas, right, which ended the 171-lot picture section of Bonhams’ (17.5/10% buyer’s premium) October 1 marine offering in Knightsbridge.

CLOSING this Saturday (October 18) and not to be missed, is an exhibition of photographs by Michael Cooper at the Atlas Gallery, 49 Dorset Street, London W1. One of the great archives of 1960s photography, this show has prompted the Independent on Sunday to brand the snapper as “The Swinging Sixties’ poet of the lens”. Lennon, Magritte, Warhol, Burroughs, the Rolling Stones, Twiggy, and Hockney are all featured among the 37 photos priced from £800 to £6000.

Exceptional subjects still have the capacity to fetch exceptional prices, as the Bury St Edmunds auctioneers Lacy Scott & Knight (10% buyer’s premium) discovered when this unsigned and unattributed 19th century watercolour came under the hammer on September 20 with an estimate of £250-400.

And now for something completely different...A high-rise flat on the outskirts of Glasgow is not the place one would expect to find works of art by the celebrated firm of Fabergé but that was the origin of the finely crafted photograph frame, right, offered on September 26 by Glasgow auctioneers McTears (15% buyer’s premium).

A series of 73 stereoscopic photocards of Captain Scott’s first expedition to the Antarctic in Discovery, the National Antarctic Expedition of 1901-04, was sold at £1250 in a book, card and ephemera sale held by Acorn Auctions of Salford on September 9, where a collection of 19th century stereoscopic photographs of Sussex scenes, 51 in all, reached £200.

The Establishment remains unconvinced but eccentric’s studio sale is a sell-out: HAVING claimed to have slept with 3000 women, and certainly having fathered at least 15 children and kept open studio for the entire community of local vagrants, one of whom he kept embalmed in a drawer for 15 years, the Plymouth painter Robert Lenkiewicz (1941-2002) was undoubtedly one of the great larger-than-life characters of British post-War art.