Fine Art

London’s main photograph auctions took place last week. The high point of the series came at Christie’s on May 20 in a single-owner evening auction of daguerreotypes by the French photographer Joseph-Philibert Girault de Prangey, when this image of the Temple of Olympian Zeus on the Acropolis sold for £500,000, reckoned by the auctioneers to be a new auction high for a photograph.

ON the same day as Whyte’s Dublin sale, the Irish theme continued this side of the water at Essex when Sworders (15 per cent buyer’s premium) offered a drawing by Sir William Orpen (1878-1931) at their Stansted Mountfichet rooms on April 29 – a 16 by 14in (40 x 35cm) signed pencil and coloured washes piece entitled The Furniture Painter.

THERE was a collective sigh of relief in the New York salerooms last week when, after a long period of uncertainty following the war in Iraq and turmoil in the stockmarkets, both Sotheby’s and Christie’s held impressive Part I Impressionist and Modern sales. Any fears that anti-French feeling would spill over in the salerooms proved unfounded after French artists took the top honours at both houses.

THERE were suppressed cries of irritation from the public at the May 8 sale held in Madrid by Alcalá Subastas as the Spanish State pre-empted all the important lots of the evening, including two newly-discovered paintings by Goya.

MAGRITTE'S Oiseau du Ciel, pictured right, commissioned by Belgium’s Sabena airline in 1965, was sold at auction in Brussels on May 5 for a triple-estimate €3.4m (£2.3m).

Illustrated right is one of 15 chromolitho plates after pastel originals by Étienne Léopold Trouvelot that make up a scarce, complete set of The Trouvelot Astronomical Drawings, the work of a keen observer and talented artist who spent the years 1872-74 using the 15in refractor at Harvard Observatory.

Not such a pretty face, perhaps, but the artist was certainly worth a thousand dollars or more.

ALTERNATIVE investment might be too strong a word for it, but the current desperate state of returns in the stock market and other investment areas does seem to be having a positive effect at art sales, at least in Scotland.

ALTHOUGH the London Original Print Fair has finished its four-day run on April 27, there remain a number of enticing events for print aficionados.

FAMOUS since the 16th century for its boys’ school, the small Rutland market town of Uppingham can also brag about being the home of the Goldmark Gallery. With a secondhand book department, this very amiable and innovative gallery always has much to delight, particularly in the field of 20th century prints.

Dismissed by some as the equivalent of Clarice Cliff, the brilliantly coloured, Vorticist-influenced linocuts produced by the Grosvenor School during the inter-war years continue to be the most hotly contested commodity at UK print auctions, particularly when they emerge from long-established private collections.

Two early watercolour drawings of rabbits in snowy settings were offered as part of a Bonhams sale of April 1. That seen right shows one rabbit making a snowball while another leans on a fence, while in the illustration reproduced below right, the two rabbits are building a snowman.

“AS extreme as always with focused bidding on the key lots,” was Victorian specialist Grant Ford’s frank description of the selective response to Sotheby’s (20/12% buyer’s premium) mid-season British Sale at Bond Street.

A rare discovery of two completely unknown paintings by Goya has aroused considerable interest in Madrid. Discovered during a visit to a family in Madrid, the two paintings of Tobias and the Angel and The Holy Family were identified by the picture expert of Alcalá Subastas, Richard de Willermin.

AN album containing 101 photographs of military, topographical, architectural and sporting subjects in India, Kashmir and Afghanistan was the principal attraction for some in a March 12 sale at Hay-on-Wye held by Y Gelli.

Gothic Art in Ireland 1169-1550: Enduring Vitality, by Colum Hourihane, Yale University Press. ISBN 0300094353 £45.00 hb (publication date April 17).

Russian coins seem to fall into a category all their own. Like papal coins and medals they have a worldwide appeal. Perhaps this is because since 1917 there has been a diaspora of Russians.

ST JAMES’S sculpture dealer Robert Bowman will be on duty at Maastricht again this year, and at the top fair he will be showing the top names of 19th and 20th century bronzes, such as Rodin and Degas.

Contemporary art continues to outperform many of the more traditional categories of art and antiques, according to a new report by insurers Zurich.

A secondhand bookshop in Glasgow and two Yorkshire dealers are celebrating a windfall of several million pounds after settling their dispute over the ownership of a lost cache of William Blake watercolours. The folio of 19 illustrations for Robert Blair’s poem, The Grave, one of the most exciting “finds” in art market history, have been sold through London art dealer Libby Howie, acting on behalf of an anonymous collector, for an estimated £4.9m.