Fine Art

Christie’s are to hold their first auction in Spain since 1999 this autumn when they offer a sale devoted to Spanish paintings in Madrid on October 6. Although they have maintained an office in Madrid, Christie’s last Spanish auction was five years ago when they held the Bendinat House sale in Mallorca.

There was high excitement at the Cork rooms of Joseph Woodward & Sons (15% buyer’s premium) on February 11 when what was thought to be the earliest surviving painted view of Cork harbour fetched what is known to be the highest auction price ever paid for a painting in the city.

IF asked to nominate the subject of a commercial painting by Montague Dawson (1895-1973), most specialists and collectors would think of a clipper ship, preferably an American clipper in full sail on picturesquely choppy, but not too choppy, seas.

NINE prominent London specialist dealers have joined forces to launch London Sculpture Week this June. In recent years a number of such initiatives have been launched successfully to focus attention on an area of expertise in the capital. With increasing interest in sculpture it was thought it was time to highlight London’s considerable credentials in this field.

Five early 18th century ivory relief portraits by celebrated carver David Le Marchand stolen from the Art Gallery of Ontario on January 17 have been recovered.

PORTRAIT MINIATURES: At just under £92,000 for 287 lots, Bonhams Bond Street’s (19.5/10% buyer’s premium) first portrait miniature sale of the year on February 3 was essentially a middle-ranking offering.

What Bonhams are billing as “one of the world’s greatest portrait miniature collections” will go on sale in their Bond Street rooms on April 22. The 175 English and Continental miniatures, which have been on loan to the Scottish National Portrait Gallery for the past three years, date from the 16th to the 19th century and are estimated to fetch in excess of £1m.

Cheffins of Cambridge are celebrating what must rank as one of the most dramatic – and certainly one of the highest – prices ever recorded in the UK provinces after their February 11-12 sale that included a pair of white marble seated figures by Sir Henry Cheere (1703-81).

Total turnover at UK picture and sculpture sales in 2003 was down 10 per cent on the previous year, according to figures just published by Art Sales Index. This reflects the similar contraction in the international market during the 2002-2003 season announced by ASI in the autumn.

Dead animals are usually regarded as a major commercial no-no in a painting, as is excessive size. It was therefore hardly a surprise that a recently restored and relined 5ft 10in by 8ft (1.78 x 2.44m) Richard Ansdell (1815-1885) canvas featuring a dead wolf and a dying dog did not exactly inspire a blizzard of bids when it came under the hammer at Maxwells of Wilmslow on January 23.

An unprecedented crowd of over 500 people turned up to watch, if not bid, at Sotheby’s near sell-out Part I auction of contemporary art on February 5. A stream of telephone bids created numerous eye-catching results, including new auction highs for Nicolas de Staël (£1.15m), Richard Hamilton (£100,000), R.B. Kitaj (£220,000), Paul Pfeiffer (£40,000) and last year’s Turner Prizewinner Grayson Perry (b.1960).

Although it might have been small beer by the standards of the New York Old Master sales reported last week, the presence of a £13,000 Italian still-life painting gave a welcome financial boost to Brightwells’ (15% buyer’s premium) inaugural auction at their new purpose-built Easters Court saleroom on the eastern outskirts of Leominster on January 15.

Scottish, Greek and Australian subjects gave a welcome international feel to the main highlights among the pictures offered on the third day of Gorringes’ (15% buyer’s premium) January 27-29 sale in Lewes.

Sotheby’s announced last week that the Forbes Collection of Fabergé, which had been scheduled for sale at auction in New York in April, has been sold by private treaty to a prominent Russian industrialist.

Contemporary art shines in London: The February round of Impressionist, Modern and Contemporary sales in London gave plenty of evidence that the top end of the art market has made a strong recovery from last year’s bout of Iraq War syndrome.

ONE of London’s most concentrated areas for art dealing, St. James’s, SW1, has a new gallery specialising in fine antique prints – Isaac and Ede at 1 Duke of York Street (Tel: 020 7925 1177).

IT was not just Sotheby’s and Christie’s who were generating some exceptional prices for Old Masters in New York in the third week of January. The East 87th Street auctioneers Doyle’s (19.5/12% buyer’s premium) generated keen interest from TEFAF Maastricht exhibitors in the room when they included a moody Gottfried Schalken (1643-1706) canvas in their January 21 sale.

The Art of William Heath Robinson by Geoffrey Beare, published by Paul Holberton for the Dulwich Picture Gallery. ISBN 1898519234 £24.99pb

FOR their third biennial exhibition, Blumka Gallery of New York and Kunsthandlung Julius Böhler of Munich join forces for a truly stunning collection of recent acquisitions at Blumka’s premises at 209 East 72nd Street.

PARIS: A PLETHORA of picture sales in Paris in December yielded some unexpectedly high prices but an erratic overall response, with an average take-up (by lot) of around 60 per cent. Results were stronger for Old Masters than for Modern Art, while the presence of buyers from across Europe helped offset the absence of Americans, deterred by the weak dollar.