Fine Art

Family Photographs 1860-1945 by Robert Pole, published by the Public Record Office. ISBN 1903365201 £12.99pb

USA: The works of two American impressionists, Fern Isabel Coppedge (1888-1951) and Edward Henry Potthast (1857-1927), both of whom were plein air painters whose works were admired for their fresh and colourful imagery, are featured here, together with a sample of the folksier treatment of rural America by Paul Seifert, a German fruit and vegetable farmer who took to painting as a lucrative sideline.

Ferdinand Georg Waldmüller’s small 1832 child portrait of the future Kaiser Franz Joseph as a Small Grenadier playing with toy soldiers, right, panel 13 x 11in (33.5 x 28cm), led the Wiener Kunst sale in Vienna on June 11 with a low-estimate €150,000 (£97,000).

Artists at Walberswick: East Anglian Interludes 1880-2000 by Richard Scott, published by Art Dictionaries Ltd. ISBN 0953260941 £29.95hb

SINCE the 1920s, Shell have commissioned paintings from key British artists for Shell county guides, calendars and school wall charts. In order to raise funds to create a new exhibition space in the National Motor Museum in Beaulieu for the earlier works from the company’s collection, Shell decided to sell 193 lots dating from 1950-1990, most of which had never been seen in public before, at Sotheby’s Olympia (17.5% buyer’s premium) on July 4.

JUST as the world’s top golfers were teeing off for The Open at Muirfield last week, Scotland was celebrating another hole in one. Grants totalling more than £2m from the Heritage Lottery Fund, the National Arts Collection Fund, the Royal and Ancient Golf Club, St Andrews and private benefactors meant that the Scottish National Portrait Gallery could acquire the nation’s most important golfing painting, Charles Lees’ (1800-1880) oil on canvas, The Golfers (1847).

In the portrait miniature market the sitter is considered less important than the painter – but sometimes even a famous artist like Henry Bone, enamellist to the Prince Regent and the author of this miniature, right, can be superseded by their subject.

History was made at Sotheby’s July 10 Old Master Paintings sale when Sir Peter Paul Rubens’ long-lost masterpiece, The Massacre of the Innocents, sold in the room to the Mayfair-based book dealer Sam Fogg for £45m, the highest auction price ever achieved for a work of art in the UK.

Stockmarket jitters may not have had any noticeable impact on the upper ranges of the Impressionist and Modern market but further down the scale things were looking less rosy. At Bonhams (19.5/10% buyer’s premium) on June 24 the 95-lot sale took £446,020 with a 52 per cent take-up by lot.

Every picture tells a story, but in the case of Théodore Chassériau’s large portrait of Comtesse de Latour-Maubourg, it was condition as much as content that revealed the artist’s state of mind at the time.

It is believed that only two copies of Johann Simon Kerner’s Le Raisin, ses espèces et variétées… were completed, but then this German botanist did make it hard work for himself in choosing to illustrate it with original watercolours.

Medieval illuminated manuscripts are hardly two a penny but religious works such as bibles and books of hours are much more frequently encountered than secular ones.

Concerns that turmoil in the world’s stock markets would spill over into London’s June round of Impressionist, Modern and Contemporary sales proved to be largely unfounded.

Sotheby’s Olympia clinched the week’s loftiest price for an Asian work when a mighty £480,000 was placed by a Japanese telephone buyer probably bidding against the reserve for a complete set of Ando Hiroshige’s (1797-1858) 120 woodblock prints: The One Hundred Famous Views of Edo.

FELLOWS and Sons, the Birmingham auctioneers, have refunded the buyers of three watercolours sold as the work of Prince Charles last week after the pictures were revealed as forgeries.

IRISH auctioneers have long been adamant that Irish pictures sell better in Ireland and certainly the 71 per cent sold by lot achieved at James Adam (15% buyer’s premium) in Dublin on May 29 was only just shy of the 76 per cent by lot selling rate taken at Christie’s Irish sale in London on May 17.

Back on April 9 and 10 Bonhams (17.5/10% buyer’s premium) Bond Street rooms offered a double helping of portrait miniatures on consecutive days: a 165-lot single owner and a 133-lot mixed-vendor sale, both of which saw around three-quarters of their contents get away.

The German painter Hans Purrmann (1880-1966) is described by Bénézit as an artist who was heavily influenced by Matisse (with whom he had contact in Paris from 1906-1914), but who lacked the greater artist’s “sense de lumière et de la couleur”.

Buoyant as the world of Art Deco is, bidders still like familiar names, which in the world of bronze and ivory 1930s figures tend to mean Demetre Chiparus and Ferdinand Preiss.

La Guérison de l’Epiléptique, 3ft x 2ft 4in (91 x 70cm), pictured right, by André Bauchand (c.1927), based on Raphael’s Transfiguration, sold on low-estimate for €3800 (£2450) at Blanchet (17.94% buyer’s premium) on May 15, partly reflecting the indifferent condition of its paintwork.