Fine Art

With Sotheby’s £6.7m Russian Pictures sale notching a hatful of records four days earlier, it was hardly a surprise to see some unfamiliar leather jacket-wearing, mobile phone-wielding characters turning up at Gorringes’ (15% buyer’s premium) November 21-23 sale at Lewes to view four paintings from the estate of a Knightsbridge-based lady who had once dealt in Russian objects.

SILVER, VERTU AND RUSSIAN WORKS OF ART £1 = $1.67: Christie’s (19.5/12% buyer’s premium) New York silver department has reasons to be cheerful: their October 21 sale, which saw selling rates of 78 per cent by lot and 82 by value for a premium-inclusive total of $5.95m (£3.56m) was boosted further when New York dealers Shrubsole bought the magnificent Charles II silver-gilt toilet service once in the collection of J.P. Morgan for a low-estimate $450,000 (£269,460) after the sale.

IN February 2004 Sotheby’s New Bond Street will mark the centenary of Cecil Beaton’s birth with an exhibition of his most celebrated photographs. Beaton at Large, which runs from February 10 to 20, will complement the National Portrait Gallery’s major retrospective, Cecil Beaton: Portraits, which runs from February 5 to May 3.

WITHDRAWN from sale at the eleventh hour, a recently-discovered portfolio of late 18th century topographical watercolours of Canada have been sold by private treaty to Library and Archives Canada and the Musée national des beaux-arts du Québec.

OVER 50 autograph letters and postcards addressed by Siegfried Sassoon to Professor Vivian de Sola Pinto are to be sold by Mill House Auctions of Helston on November 4, together with signed and inscribed copies of Sassoon’s books from de Sola Pinto’s library.

THE growing strength of the Modern British market has had plenty of publicity over the last couple of years, but strong demand for Post-War painting is hardly news to the Scottish and Irish collectors who have been faithfully backing the “Modern Celtic” market for decades.

London marine sales can be routine affairs, but there was a frisson of speculative interest in this unsigned and unattributed 19th century canvas, right, which ended the 171-lot picture section of Bonhams’ (17.5/10% buyer’s premium) October 1 marine offering in Knightsbridge.

CLOSING this Saturday (October 18) and not to be missed, is an exhibition of photographs by Michael Cooper at the Atlas Gallery, 49 Dorset Street, London W1. One of the great archives of 1960s photography, this show has prompted the Independent on Sunday to brand the snapper as “The Swinging Sixties’ poet of the lens”. Lennon, Magritte, Warhol, Burroughs, the Rolling Stones, Twiggy, and Hockney are all featured among the 37 photos priced from £800 to £6000.

Exceptional subjects still have the capacity to fetch exceptional prices, as the Bury St Edmunds auctioneers Lacy Scott & Knight (10% buyer’s premium) discovered when this unsigned and unattributed 19th century watercolour came under the hammer on September 20 with an estimate of £250-400.

And now for something completely different...A high-rise flat on the outskirts of Glasgow is not the place one would expect to find works of art by the celebrated firm of Fabergé but that was the origin of the finely crafted photograph frame, right, offered on September 26 by Glasgow auctioneers McTears (15% buyer’s premium).

A series of 73 stereoscopic photocards of Captain Scott’s first expedition to the Antarctic in Discovery, the National Antarctic Expedition of 1901-04, was sold at £1250 in a book, card and ephemera sale held by Acorn Auctions of Salford on September 9, where a collection of 19th century stereoscopic photographs of Sussex scenes, 51 in all, reached £200.

The Establishment remains unconvinced but eccentric’s studio sale is a sell-out: HAVING claimed to have slept with 3000 women, and certainly having fathered at least 15 children and kept open studio for the entire community of local vagrants, one of whom he kept embalmed in a drawer for 15 years, the Plymouth painter Robert Lenkiewicz (1941-2002) was undoubtedly one of the great larger-than-life characters of British post-War art.

The artist might have been unknown, the subject unconfirmed, but this unsigned 133/4 x 173/4in (35 x 45cm) Victorian oil, right, of figures on the deck of a yacht was nonetheless the most hotly contested lot at Stride & Son’s (15% buyer’s premium) August 29 sale in Chichester.

If the forthcoming 20/21 British Art Fair at the Commonwealth Institute proves as successful as many dealers are hoping, there will be no shortage of competition for this signed and inscribed Eric Ravilious (1903-1942) watercolour, right, Hull’s Mill, coming up for sale at the Stansted Mountfichet rooms of Sworders (15% buyer’s premium) on October 21.

Fred T. Jane is a turn-of-the-century artist who doesn’t make much of an impact in the sort of standard reference works that line the office walls of serious auctioneers and dealers.

The strong collecting base for miniatures has cushioned this market from the wider economic vagaries that have affected other more trade-dependent fields such as furniture and silver. Bonhams Bond Street (19.5/10% buyer’s premium) specialist Emma Rutherford reckoned around 80 per cent of entries sold privately in their 193-lot routine miniature and silhouettes sale back on July 1. “Our buyers tend to be retired and tend to have their money readily accessible,” she said.

Twice a year Russian silver and icons are included in Christie’s South Kensington’s (17.5/10% buyer’s premium) routine miniature and vertu sales and it was the 44-lot Russian silver section that saw some of the most consistent bidding in this 587-lot July 15 outing.

THE Burlington Magazine have extra reason to celebrate their centenary this month as they unveil the rediscovery of a lost work by Benvenuto Cellini. The 19in (48cm) bronze statuette of a satyr has been identified during the preparation of a catalogue raisonné of sculpture in the Royal Collection.

In terms of ‘Old Masters’ in their strictest sense, the July 9 sale sale at Bonhams (19.5/10% buyer’s premium) Knightsbridge might have been conspicuously short of quality, but the presence of this fine George Stubbs (1724-1806) canvas of a dark bay in a landscape. right, gave proceedings a lift when it sold at £1.75m to an American collector represented by London dealer Ray Waterhouse in the room.

ON June 17, Finarte-Semenzato held a further sale of furniture and Old Master paintings in Milan, offering almost 540 lots of which less than half sold.