Fine Art

AS the hubbub dies down in London, there is no shortage of action in the provinces.

THE 19th century European Paintings sales at Sotheby’s are divided into a number of regionally-themed sections which are enjoying varying degrees of health. Although they continue to have their occasional moments, the formerly booming markets for Orientalist, German and Scandinavian pictures continue to be pale reflections of their former selves.

BACK in July 1984, Christie’s took £75,000 (£81,000 with premium) for Thomas Rowlandson’s (1756-1827) pièce de résistance watercolour of Box-lobby loungers.

THE first victory for a new art recovery company, a statue stolen from one of Yorkshire’s finest stately homes almost two years ago has been recovered in Chicago.

TWENTIETH century and Contemporary art underlined their status as the key growth areas for the major auction houses when London’s June round of Part I Impressionist, Modern and Contemporary sales netted £120.4m. Six months ago the equivalent sales took £94m, while back in June 2003 – when war was raging in Iraq – they could only muster a relatively modest £81m.

AFTER the first couple of days, all nine dealers participating in London Sculpture Week (which ended on June 18) reported a great deal of interest in their exhibitions with old clients joined by museum people and, most importantly, new customers.

FOUND lying face down in the attic of a local house, apparently unloved, the pastel portrait of a young girl reading a book seen right was the sleeper that awoke to a six-figure bid in an April 3 sale that gave Dennis Auction Service of Stewartsville, New Jersey, their first ever $1m sale total.

PICTURES in a May 19 sale held by Doyles of New York included a very large (6ft 4 1/2in x 4ft 1in (1.93 x 125m) oil on panel after Andrea del Sarto's Porta Pinti Madonna.

IN one of the most crowded week’s in London’s arts and antiques calendar, the Grosvenor House and Olympia fairs are still in full swing. Some may ask if we need more in the way of dealers’ selling exhibitions but they would get a dusty reply from the trade.

TWO of the more successful lots from a May 14 sale of American and European pictures held in Boston by Skinners are seen here.

OVER a period of 30 years, the late Sir Charles Clarke of Broadhurst Manor in Sussex built up a remarkable collection of engravings, drawings and other material by Edouard Travies. He came to be recognised as the leading authority on the artist and his collection of Travies lithographs of La Chasse and other similar suites of plates is perhaps the finest ever to have come onto the market.

OVER 600 lots of ‘Old Master through Contemporary Prints’ were offered by Swanns on May 6 and in the former category, Dürer and Rembrandt figured prominently among the higher priced lots.

THE received wisdom of the art market tells us that heavily restored paintings attract little demand from the trade at auction. But sometimes a subject is just too commercial for dealers to pass by, such as this Arthur Wardle (1864-1947) canvas, right, of four terrier puppies, Mischief in Quadruplet, which came up for sale at the Nottingham rooms of Mellors & Kirk (15% buyer’s premium) back on April 23.

WOW! The Royal Academy Summer Exhibition is really different this year. Well, the colour scheme is, anyway.

GAZETTE journalist Scott Reyburn will find himself the subject of scrutiny rather than being the scrutineer for a change thanks to his contribution to So This Is London, an exhibition that forms part of Art Fortnight London.

BONHAMS Chester hosted a 484-lot collectable ceramics and applied arts sale on April 27.

NO self-respecting specialist auction of marine paintings would be complete without at least one example from the brush of that most prolific and popular of late 19th century marine painters, Thomas Bush Hardy (1842-1897).

FLORIDA art fair Palm Beach Contemporary is to be known as PalmBeach3 for its next staging at the Palm Beach County Convention Center from January 13 to 17, 2005. The name has been chosen to reflect the new three-part structure of the event.

OVER the last couple of years, a number of auctioneers have been complaining that lesser-name Victorian watercolours in the sub-£500 range have become the weakest of all areas at picture sales, sometimes to the point of having no market at all.

CONTROVERSIAL artist Tracey Emin (b. 1963) might be outraged by public “sniggering” after the loss of her works in the Momart’s London warehouse fire, but the art world has lost much more than her infamous tent. To many, much more disconcerting is the loss of the large cache of major paintings by Patrick Heron, RA (1920-1999).