Glassware

A recent sale marked the first time that the Geneseo, New York, house Cottone Auctions (22% buyer’s premium) has handled a piece of René Lalique (1860-1945) jewellery.

A Japonisme foo dog vase by Émile Gallé (1846-1904) hammered for $35,000 (£26,440) against a guide of $3000-5000 at Rago (27% buyer’s premium) in Lambertville, New Jersey.

It was little surprise that Kinsky (25% buyer’s premium) in Vienna was given the legacy of Michael Kovacek, a specialist dealer in Art Nouveau and Art Deco, to sell.

While the market for post-war Whitefriars has waxed and waned in the past three decades, in 2025 several very active collectors have driven saleroom prices forward once again. It has been a strong year for the Geoffrey Baxter Textured range in particular.

A green wineglass in the Prince of Wales service pattern is among the highlights in the Delomosne Christmas exhibition this year.

Rare stalking owl catches the eye in Lewes as local vendor sells Lalique car mascots and advertising signs

Art Deco was one of the main themes of LAPADA Berkeley Square Fair this year, with the design movement celebrating 100 years.

A ‘Black Forest’ liqueur set in the form of a bear carrying a flask and glasses will be among the collectable pieces going on sale at The Pavilions of Harrogate Decorative, Antiques & Art Fair at the Great Yorkshire Showground from November 14-16.

Henry Aldridge & Son in Devizes is establishing a dedicated ceramics and glass department, after appointing specialist valuer and cataloguer Clare Durham.

Altar-like form of an item usually attributed to one of two Southwark makers reflects the reverence that the commodity once held

A claret jug combining the talents of Stevens & Williams of Stourbridge in the UK and US firm Duhme & Co from Cincinnati crushed its $2000-3000 guide to hammer for $35,000 (£25,890).

The lost art of murrine - the creation of complex patterns by fusing together slices of coloured glass cane - was rediscovered by glass blowers in the Venetian lagoon in the late 19th century.

A Louis Comfort Tiffany pendant-necklace with matching ear clips in gold, star sapphire, moonstones, and enamel hammered for $200,000 (£148,000) at Doyle (28/27% buyer’s premium).

Almost singlehandedly, Sir Laurence Whistler (1912-2000) revived the tradition of British diamond point engraving in the post-war era. His stippled glass goblets were particularly innovative: engraved on both sides of the bowl with views of the English countryside, they create an illusion of perspective.

Lyon & Turnbull’s (26% buyer’s premium) sale marking the centenary of the Exposition Internationale des Arts Décoratifs et Industriels Modernes - the event that later gave Art Deco its name - included a Lalique glass vase that was shown at the event. Quatre Figurines Femmes Formant Soutien, standing 6½in (17cm) high and modelled as a quartet of crouching female nudes supporting an ovoid bowl, was made using the cire perdue (or lost wax) technique.

One of the rarest of all of the 31 car mascots made by Lalique from 1925-31 came up for auction at Jeffrey Evans & Associates (25% buyer’s premium) in Mount Crawford, Virginia.