UK

ART case pianos, as their name implies, are instruments with very decorative cases painted or elaborately inlaid, and usually one-off commissions.

IN 1963, following market research to discover the most popular girl’s name at the time, Lines Bros. (Pedigree) of Merton, London, launched England’s answer to Mattel’s Barbie and Ideal Toy Corporation’s Tammy. Sindy, with her rosebud mouth, large blue eyes and bouncy curls, was The doll you'll love to dress.

ON view at the Belgrave Gallery, St Ives, these two works by the late Sir Terry Frost represent a gap of some 60 years.

HELPED by contacts with the Traquair family, Shapes have a great track record selling the work of Phoebe Anna Traquair (1852-1936), the Dublin-born mixed-media artist who became a leading member of Scotland’s Arts and Crafts movement.

THE general strength of the Sèvres market was reinforced in spades by the very strong prices paid for two plates that featured in Christie’s King Street sale on July 5. Both are from celebrated services and both have the type of bold, slightly more masculine decoration that is currently fashionable.

WITH the King Street sale devoted entirely to Continental material, it was left to Christie’s South Kensington rooms to offer a home-grown element with the morning half of their sizeable 393-lot, June 24 British and Continental ceramics offering.

THE long month of August may be a good time to relax, but for glass enthusiasts the end of the month offers the perfect chance to get the pulse racing once again.

PAINTINGS offered at Lyon & Turnbull’s (17.5% buyer's premium) July 21 Jordantone dispersal were mostly comfortable furnishing pictures of some quality including this uncharacteristic Joseph Farquharson oil, right, entitled Fisherwoman on a Deserted Sandy Beach. Very different from the artist’s trademark mix of sheep, heather and swirling snow, the 22in x 3ft (55x 91cm) image of a solitary figure walking barefoot on the shimmering sand went to a private buyer at £17,000.

THE most sought-after and best-performing English factory amongst the more select gatherings of English wares at Sotheby’s Bond Street sale was undoubtedly Chelsea. The auctioneers had 16 lots to offer, mostly consigned from one collection and of the currently fashionable Red Anchor period botanical type either in their painted decoration or shape.

ENGLISH and Continental glassware was also a feature of Sotheby’s June and July ceramics sales. It accounted for just over 30 per cent of the more affordable Olympia offering, where around two-thirds of the 115 lots changed hands, and just under a fifth of their Bond Street sale where around half the 33 lots found buyers.

SOME steady selling of material which has been hard to shift of late provided some encouragement for the trade generally at Lawrences of Bletchingley's (12.5 buyer's premium) July 20-22 sale and among the 2000 lots – which totalled nearly £200,000 – there were enough of those quirky offerings which make provincial British auctions the fascinating events they can be.

IT is frequently the unusual and the decorative that the market craves today. The ‘peach’ of the sale conducted by Kidson-Trigg (15% buyer’s premium) of Highworth, near Swindon on July 22 was certainly both, a group of 14 painted and carved wood and gesso models of fruit, pictured right.

THE story of the Boscobel Oak that gave numerous pubs a name also, after 1660, became an object of Royalist pilgrimage. By 1680 a protective wall was built round the trunk but, such was the souvenir hunting, by the early 18th century the tree had almost been destroyed. The oak at Boscobel today is almost certainly a descendant and not the one where Charles Stuart spent a sleepless night as he fled Cromwell’s heavies.

THESE two half-length images of women, right, could hardly be more different in date or technique, but their prices proved as uncannily similar as their poses when they came under the hammer at recent fine art auctions.

THE energy with which Spink pursue their business was made manifest on July 15 when they crammed in another sale which has not been part of their auction schedule in recent years. The total take was £250,850 and, although it was a 519-lot general sale, it offered several homogeneous sections. In all, it taught us really quite a lot about the state of the London coin market.

WHEN Birmingham-based organiser Fran Foster announced last year that she was bringing her successful Antiques For Everyone formula to the capital in the middle of August, many observers, frankly, thought she had been sitting in the sun for too long. Particularly since her chosen venue was Earls Court Two, where Olympia’s organising arm, Clarion Events, had tried and failed to get a high summer fair off the ground just a few years before.

IN 1851 it wowed the world when it won the Council Medal at the Great Exhibition, but for decades its whereabouts have been a mystery. Now, after years of research, Jeremy Lamond, a director of Halls Fine Art, of Shrewsbury, has solved the puzzle of what happened to the first ever exhibition sideboard.

COINCIDING with the run up to the British Open at Royal Troon, Christie’s South Kensington (19.5/12% buyer’s premium) held their summer sale of golf memorabilia on July 8. According to the specialist in charge, David Convery, the auction was “well attended by British based and American buyers,” but, nevertheless, there was still something of a polite hush around the saleroom with most lots barely scraping past their reserves.

THE first outing for Sotheby’s associate Graham Budd Auctions (15% buyer’s premium) offered a large range of sporting memorabilia in a 885-lot sale held at Sotheby’s Olympia on June 9. Football was the most represented sport, contributing to well over half the total number of lots.

FOR generations of shoppers from throughout this country and abroad, the favourite London store is Peter Jones in Sloane Square, Chelsea.