UK

Newly-formed organisers Antiques Fair Management, a division of Shropshire-based Wellington Market Company, have acquired a series of one-day Sunday fairs at Birmingham’s National Motorcycle Museum.

TOP London specialist in English pottery Jonathan Horne exhibits at major fairs in London and New York and consistently comes up with top-of-the range stock, which he generally sells very well indeed.

MORE Deco news, this time from Wimbledon organiser Paola Francia-Gardiner who as P&A Antiques is seeing a deal of success with her West London decorative events.

The now-defunct firm of Hedges & Butler (est.1667) was one of the oldest wine merchants in England, originally based by the Thames on a site now occupied by Charing Cross Station. The name of the company has now disappeared, but what its own publicity described as “our very interesting collection of old Viniana” provided an eye-catching highlight for Bonhams’ (17.5/10% buyer’s premium) otherwise fairly routine mixed sale of art and antiques in Knowle.

Inspired by the catacombs of Somerset House, the street lighting of Pall Mall and, above all, the Babylonian splendour of the new Houses of Parliament, artist John Martin’s 1841 oil on canvas Pandemonium was an apocalyptic vision of Victorian London that played well to the post-September 11 sensibilities of the US picture trade at Christie’s King Street sale of the Forbes collection on February 19-20.

If you still believe that the Cotswolds are merely the final bastion of traditional brown furniture, you should take another look at Moreton-in-Marsh. Just opposite Astley House Fine Art, where David and Nanette Glaisyer have shown Victorian and other traditional pictures for 30 years, is Astley House Contemporary, the airy, two-floor gallery they opened just before Christmas.

When it comes to wall power there is nothing like a poster to add presence and focus to an interior, and for iconic or cult status, a film poster is hard to beat.

Decorative arts from 1870s Gothic Revival to 1960s Murano glass and everything in between is on offer at Sotheby’s Olympia this month. Their sizeable gathering of over 230 lots, which goes under the hammer on February 27, takes in examples of all the major design movements of the 20th century (and the latter end of the 19th): Art Nouveau, Arts & Crafts, Wiener Werkstätte, Deco and Modernism.

Altfield, who specialise in traditional craftsman-made furniture and objects imported from the Far East, have a well-established mainly trade outlet at the Chelsea Harbour Design Centre, but last November, they branched out with a new retail showroom at 320 King’s Road, SW3.

IF THERE is one objet d’art that best characterises the antiques market at present it is the curate’s egg – good in parts, but bad overall. The flawed ovum’s brighter regions encompass most low-value collectables – ceramics included.

PRIVATE pictures with reasonable estimates proved a recipe for success at Bonhams (17.5/10% buyer’s premium) on February 3 where 75 of the 101 lots found buyers at the £823,130 sale.

Londoners are steeling themselves for the introduction of the daily £5 congestion charge on February 17, introduced by Mayor Ken Livingstone in a bid to reduce traffic and pollution in the capital. The Antiques Trade Gazette has been asking members of the trade what effect it will have on their businesses.

A secondhand bookshop in Glasgow and two Yorkshire dealers are celebrating a windfall of several million pounds after settling their dispute over the ownership of a lost cache of William Blake watercolours. The folio of 19 illustrations for Robert Blair’s poem, The Grave, one of the most exciting “finds” in art market history, have been sold through London art dealer Libby Howie, acting on behalf of an anonymous collector, for an estimated £4.9m.

The Red House, the former home of designer William Morris acquired last month by the National Trust, is due to open to the public in Bexleyheath later this summer. But aficionados of the Arts and Crafts movement who cannot bear to wait that long should take a look at the Clarke Gammon sale in Guildford on February 25, where the residual contents of the Victorian house are being dispersed.

AS a one-off, the spring version of the twice-yearly Cardiff Antiques and Collectors’ Fair decamps to the nearby country town of Cowbridge. Carmarthen-based Robert and Carol Pugh, who operate as Towy Fairs, have been forced out of their regular venue, the Cardiff Bowling Club, by a rather rougher fixture than bowling, the Rugby League Cup Final which will be held at the Millennium Stadium on the same weekend – April 26 and 27.

PEOPLE are always coming up with new fairs, very few of them exciting, but last week I heard of one to be launched this spring, which does seem to have more than just a bit of flair. Boldly called Antiques & Audacity at Arundel Castle, it is organised by an outfit called Zygo.

Coming up in Lincoln: “ENGLAND expects every man to do his duty.” Nelson’s famous command was to be his last and effectively signalled the end of the Battle of Trafalgar. Details surrounding the start of the campaign are much more sketchy, but on February 20 Lincoln auctioneers Thomas Mawer & Son will be offering a memorandum written by Nelson to launch the famous battle.

THE country’s most famous antiques dealer David Dickinson, now a television superstar, did not work his magic on George Taylor, organiser of the Great Northern International Antiques and Collectors’ Fair at Harrogate’s Great Yorkshire Showground.

MAYFAIR’S only specialist in tribal art, the Gordon Reece Gallery, hold an exhibition Gabbehs: an idiosyncratic art form from February 21 to March 29.

The first furniture sale of the year at Sotheby’s Olympia (20/12% buyer’s premium) was a 272-lot gathering on January 14 which saw two-thirds of the contents change hands.