UK

TEXTILES are currently a popular commodity and Wimbledon organiser Paola Francia-Gardiner, who operates as P&A Antiques, has two fairs next month catering for this still expanding market.

MIDDLESEX organiser Carl Barnes has found much favour over the years with his specialist clock fairs, so he was dismayed recently when fire destroyed the National Motorcycle Museum, long the venue for his Midland Clock & Watch Fair.

IN 1992 Norfolk dealer Liz Allport-Lomax formed Lomax Antiques Fairs to launch the East Anglian Antique Dealers Fair at Langley Park School, Loddon, Norfolk. Now she is arguably East Anglia’s top organiser with four annual events, each with a waiting list.

CHANGES are afoot over the next few months at the popular Malvern International Antiques & Collectors Fair, held every month at Worcestershire’s Three Counties Showground.

A REMINDER that there is still some time to catch the 18 special exhibitions mounted by members of The Cotswolds Antique Dealers Association as part of their annual exhibitions fortnight, and this year to celebrate the association’s 25th anniversary. The shows are scheduled to close on October 25, but I am sure there will still be some exhibition items on sale after that date.

Included amongst the more venerable 18th century flutes, 19th century hurdy gurdies and 17th century harpsicords and spinets that make up the l03-lot sale of early musical instruments to be held at Sotheby’s Bond Street on November 25, is this unusual piece of more recent vintage.

This 10in (25cm) Burleigh Ware pottery wall plate, by Charlotte Rhead established a new auction record for the industrial ceramicist when it sold for £2900 (plus 10 per cent buyer’s premium) at Andrew Hartley Fine Arts on October 8. Consigned to the Ilkley rooms via a local house clearance, the vibrantly-coloured plaque carried the pattern number 4350, a design previously known only from pattern books dated to c.1928-29.

Historians of the craft of fish carving currently believe that the Scotsman John B. Russell (1819/20-1893) was the first professional maker of such models. Working with carver John Tully at the Fochabers Studio, which made models for Farlow & Co. into the 1930s, Russell is known to have been producing these fine trophies from around 1880, although the early date to the example pictured here suggests some rewriting of the literature might be required.

Bonhams weren’t the only London salerooms to be offering a good selection of antique glasswares. On October 9, just a week after the Harvey’s dispersal, Christie’s South Kensington (17.5/10% per cent buyer’s premium) had a mixed-owner 280-lot selection of British and Continental glass to offer as part of their monthly At Home series.

London has shed its reputation as the world’s only major art market centre without a major contemporary fair with the inaugural Frieze Art Fair in Regent’s Park.

Sad news. The drunken rats and the two-faced lamb have finally parted company.

RUNNING at the racetrack since 1988, Caroline Penman’s Chester Antiques & Fine Art Show is a favourite with both local collectors and the 60 or so dealers who regularly exhibit. It will be held, as usual, at the County Grandstand, Chester Racecourse from October 23 to 25 and, also as usual at this event, most stock will be pre-1920.

MORE worthwhile activity from our busy and productive local dealers’ associations which have surely proved their worth now, even to traditionally independent sceptics. As the stalwarts of the Cotswolds Antique Dealers’ Association wrap up their series of exhibitions, the equally industrious members of the Thames Valley Antique Dealers’ Association prepare for their autumn fair.

Exceptional quality pictures with truly international appeal from long-standing private collections have become an all-too-rare sight in the provinces, but on October 3, thanks to significant consignments from no fewer than three deceased estates, Mallams Oxford (15% buyer’s premium) were able to offer at least half a dozen lots that wouldn’t have looked out of place at any of the world’s most expensive art fairs.

CLOSING this Saturday (October 18) and not to be missed, is an exhibition of photographs by Michael Cooper at the Atlas Gallery, 49 Dorset Street, London W1. One of the great archives of 1960s photography, this show has prompted the Independent on Sunday to brand the snapper as “The Swinging Sixties’ poet of the lens”. Lennon, Magritte, Warhol, Burroughs, the Rolling Stones, Twiggy, and Hockney are all featured among the 37 photos priced from £800 to £6000.

While the original Friendly Society was a successful London fire insurance association, the name was adopted throughout 18th and 19th century Britain to describe every kind of mutual aid organisation.

WITH a £120,000 total from some 500 lots catering for most areas of antiques, the September 18 sale held by Douglas Ross (15% buyer’s premium) at Woburn was a sound, if unspectacular, start to the autumn season for the Bedfordshire rooms.

And now for something completely different...A high-rise flat on the outskirts of Glasgow is not the place one would expect to find works of art by the celebrated firm of Fabergé but that was the origin of the finely crafted photograph frame, right, offered on September 26 by Glasgow auctioneers McTears (15% buyer’s premium).

High quality mahogany carcase furniture continues to transcend any malaise experienced at other levels of the furniture market. The final lot of a small but nicely formed sale conducted by Finan & Co. at the Old Ship Hotel in Mere, Wiltshire on October 4 was this fretwork and blind fret decorated Chippendale-style and period mahogany library bookcase.

First introduced c.1809, the ‘Caramanian’ series represent one of Spode’s most popular early 19th century pattern ranges.