UK

While Sotheby’s incorporated their best objects of vertu into their silver sale on November 20, Christie’s offered theirs in tandem with portrait miniatures in a 264-lot sale the following month on December 9. The vertu side of the sale performed particularly well, with hardly any failures, most of the 55 unsold lots coming from the miniatures.

The object on which the keenest attention in the works of art world was focused this month was this 161/2in (42cm) diameter, 15th century parcel-gilt and silvered bronze roundel depicting Mars, Venus, Cupid and Vulcan.

SOTHEBY’S chief executive Robin Woodhead has confirmed that whatever happens with the casino plans at Olympia, his company are committed to maintaining two salerooms in London. He made the pledge during an in-depth interview with the Antiques Trade Gazette in which he also explained that flexibility over staffing and the running of sales were key to future success.

UK: Brightwells are moving their operations from Ryelands Road in Leominster to a new and purpose-built building at Easters Court, at the northern end of the A49 bypass. The new building is nearly three times the size of the present premises where space had become a problem.

The technique of Limoges enamelling, imitated by a number of historically-minded potteries in the second half of the 19th century, was championed at Worcester by Thomas Bott and then by his son Thomas John Bott.

Stained glass, such a pre-occupation of the Victorians from the Pre-Raphaelites to the Aesthetics and the Arts and Crafts movement, has been something of a Cinderella among collectors for the best part of a century. Now, while the lovely and neglected Cinders may not exactly be the belle of the ball, interest in, and prices for, the medium are creeping up.

LAST week, after two years of renovations, Judith and Phil Carrigan officially opened their Uzella Court Antiques Centre and Fine Art in the centre of Lostwithiel, Cornwall. The centre is housed in a partly medieval building which has been a shop of one sort or another – most recently a butcher’s – since 1850.

A DRAWING by E.H. Shepard of Winnie the Pooh playing a balalaika raised bidding on a third edition of The House at Pooh Corner to £7000 in the Greenslade Taylor Hunt sale of November 13 – and although nothing else in the 825-lot Taunton catalogue came remotely close to that in financial terms, a few other lots deserve mention.

LONDON dealer Caroline de Kerangal is happy dealing from home and a couple of times a year at the decorative fair in Battersea Park, but she occasionally gets the urge to work from a shop, and it appears to be a seasonal thing.

François Linke 1855-1946: The Belle Epoque of French Furniture by Christopher Payne, published by the Antique Collectors’ Club. ISBN 1851494405 £75hb

ARTS Minister Estelle Morris will hold a seminar for the trade on the new UK measures to restrict the illicit trade in cultural objects. Slated for January 15 in the BP Lecture Theatre, at the Clore Education Centre of the British Museum, the session will see Miss Morris give a presentation on the UK implementation of the 1970 UNESCO Convention, the Dealing in Cultural Objects (Offences) Act 2003 and the new Money Laundering Regulations.

DECANTERS of all types from the 18th century to the present are the subject of an exhibition running at the Broadfield House Glass Museum, Dudley, until April 18 next year.

As York silver becomes both too hard-to-find and too expensive to buy, there is increasing interest in early wares from the Sheffield assay office. The manufacture of silver in Sheffield did not begin until the second half of the 18th century – a direct offshoot to the Old Sheffield Plate and the cutlery industry.

Return to original Art College venue: FACED with the unexpected loss of their 2004 fair venue, the organisers of the 20/21 British Art Fair have struck a deal for a new space at short notice. Next September 15, the five-day fair will return to its previous venue, The Royal College of Art.

IT was one of those landmark events that generated a perceptible buzz of expectation and drew the English porcelain collecting fraternity out of the woodwork en masse. Bonhams’ November 26 auction of the collection of the late Billie Pain pulled a capacity crowd to their Bond Street rooms and saw the trade and private collectors contest the 341 lots of prime early English porcelain to almost £782,000, getting on for twice the pre-sale predictions.

With Sotheby’s £6.7m Russian Pictures sale notching a hatful of records four days earlier, it was hardly a surprise to see some unfamiliar leather jacket-wearing, mobile phone-wielding characters turning up at Gorringes’ (15% buyer’s premium) November 21-23 sale at Lewes to view four paintings from the estate of a Knightsbridge-based lady who had once dealt in Russian objects.

Private consignments of Chinese porcelain are increasingly difficult to source and competition is rife between provincial and London rooms. Prices regularly spiral for the best quality works whether they are offered in the provinces or in the capital.

West End public relations firm Focus PR have been appointed to head up communications services for next summer’s Fine Art and Antiques Fair at Olympia.

Gone are the days when collectors could afford to ignore anything but the finest quality early 18th century imperial porcelain in mint condition. The burgeoning of interest in this field from Far Eastern collectors has ensured that when such pieces come under the hammer, the prices realised are out of the reach of all but the seriously wealthy.

Dealers and collectors with money in their pockets at the end of Asia week were rewarded with a trip to Christie’s South Kensington (17.5/10% buyer’s premium) on November 14. The room was full for this 478-lot auction, with mainland Chinese and Far Eastern buyers interested in two conservatively estimated, market-fresh, non-European collections of Chinese calligraphy brushes and archaic jades.