UK

Antiquities specialist Charles Ede releases its online Christmas catalogue at noon on November 15.

An intriguing inscription on a sword presented to a British army officer by the Sultan of Morocco helped to achieve a hammer price nearly 10 times the top estimate.

Thompsons Gallery, Aldeburgh, opens its Christmas exhibition, one of the leading events of its yearly calendar, on December 2.

To celebrate the centenary of St Ives abstract artist Alexander Mackenzie (1923-2002), Scarborough-based dealer and auctioneer Keith Chapman has recently published the first book on his paintings.

A rare 16th century tin-glazed earthenware charger was the subject of an extraordinary bidding battle taking it to 130-times its estimate.

Exhibitors have reported excellent results at Frieze Masters, confirming the event’s status as the UK’s top high-end art and antiques fair.

In 1961 when Christie’s auctioned off items from the Wilton House Collection, the catalogue included a full-page image of a monumental Roman marble.

Phillips’ sale of two studio pottery collections of Lucie Rie and Hans Coper lived up to expectations and set two new auction records.

Special Auction Services (SAS) achieved its most valuable ever auction last month, selling banknotes.

A 1556 first edition copy of Welshman Robert Recorde’s The Castle of Knowledge was estimated at £5000-10,000 and made £12,600 including buyer’s premium at Hansons’ November 1 Library auction.

A Cornish exhibition gives the final chance to view a group of more than 150 paintings and ceramics by influential artists and potters working in the county before they are dispersed at auction.

Several personal items grace The Pavilions of Harrogate Decorative Antiques & Fine Art Fair, Cooper Events’ final outing of the year and its third to that venue.

The most contested lot in Bonhams’ October 19 Expressionism: Germany, Austria and Beyond sale was a self-portrait by the German painter Hermann Lismann (1878-1943).

Among the works that caught the eye at a Mellors & Kirk (24% buyer’s premium) sale in Nottingham was a flower painting by Laurence Biddle (1888-1968).

Figure dating from 1792 demonstrates the advantages of the influential artificial stone used

Eleventh edition of the London event now widened in scope includes an impressive array of big results

Hugely decorative, impeccably provenanced and selling at an impressive sum, a pair of moulded relief panels were another of autumn’s Coade stone stars