Scotland

“SOME types of Bow have revived in popularity and botanical subjects are very popular,” said specialist Deborah Clarke, after a set of four octagonal plates, two shown right, were consigned by a Scottish collector to Bonhams (17.5 per cent buyer’s premium) sale of ceramics and glass in Edinburgh on June 28.

JUST as the world’s top golfers were teeing off for The Open at Muirfield last week, Scotland was celebrating another hole in one. Grants totalling more than £2m from the Heritage Lottery Fund, the National Arts Collection Fund, the Royal and Ancient Golf Club, St Andrews and private benefactors meant that the Scottish National Portrait Gallery could acquire the nation’s most important golfing painting, Charles Lees’ (1800-1880) oil on canvas, The Golfers (1847).

UK: Edinburgh auctioneers Lyon and Turnbull are expanding their business with the creation of three new jobs, two of them in silver and jewellery.“We are bucking the trend by continuing with our expansion plans as other auction rooms in Scotland reduce their workforce and close offices,” said vice-chairman Paul Roberts.

Nanking means to most people the rape of that city by the Japanese; to ceramics collectors it conjures up memories of the Nanking Cargo, but in the specialist picture market it is the place where the 1842 treaty was signed opening up five ports to British merchants “without (molestation or restraint”.

A BONUS of the bona fide house clearance is the family rug – usually in a dishevelled condition but market-fresh, which surprises auctioneer and local trade alike by taking the top price of a sale from a mysterious overseas buyer.

In today’s liberal society only the more prudish of eyes would blink at the notion of two women living together but back in 1778, when the notorious ‘Ladies of Llangollen’ eloped to Wales dressed as men, it was nothing short of scandalous.

IN 1954 the painter and printmaker, Philip Reeves (born 1931), being interviewed for a post as a lecturer at the Glasgow School of Art, produced a letter of reference from the artist Robert Austin (1895-1973).

Exhibitions outside London: Specialist print dealer Elizabeth Harvey-Lee (1 West Cottage, Middle Aston Road, North Aston, Oxon OX25 5QB. Tel: 01869 34 7164) has built up an impressive reputation for producing informative, well-illustrated stock catalogues.

New men at the rostrum bow in with aristocratic vendors and trade buyers: Short of a fine sale of antiques, a charity auction on 18 January was probably the best way that Bonhams could celebrate their takeover of Phillips’ old rooms in the capital.

This Edinburgh sale of ceramics and glass on 30 November was notably well attended from the South of England, with dealers from London, Nottingham and Gloucestershire on the floor of the saleroom.

Collectors from Lancashire arrived at the Edinburgh sale of Decorative Arts held by Lyon and Turnbull (15/10% buyer’s premium) on November 7, excited by this silhouette, right, of their favourite ceramic factory.

Robert Somervell’s A Protest against the Extension of Railways in the Lake District, published in Windermere in 1876, contains “articles thereon reprinted from the Saturday Review etc.”, and a nine page preface by one of those who objected to the intrusion of the railways into the Lake District – John Ruskin.

John Pearson is to the Newlyn School what Margaret Gilmour is to the Glasgow School – an Arts and Crafts metalworker who specialised in repousee work of naturalistic style.

One of the prettier pieces among the 300 jewellery and silver lots put up at Edinburgh by Phillips (15/10% buyer’s premium) on September 21 was this diamond, rock crystal and nephret lily-of-the-valley brooch, right. Estimated at up to £1000, it sold at £1500.

Manufacturing expertise and a fondness for the hard stuff are notable traits among Scottish folk, and they were well married in this miniature copper whisky still, pictured, offered by Glasgow auctioneers McTear’s (10 per cent buyer’s premium) on September 11.

Sotheby’s annual jaunt north of the border to Gleneagles is as traditional to the Scottish leg of the ‘Season’ as the Oban ball and the first flexing of the Duke of Edinburgh’s trigger finger on the moors above Balmoral.

AT the second outing Antiques For Everyone – Glasgow confirmed its status as Scotland’s top fair and certainly enough business was achieved by enough of the 170 exhibitors at the Scottish Exhibition and Conference Centre to indicate a secure future for this new fixture.

AS in Edinburgh, strong private bidding for local favourites dominated the picture section of Andrew Hartley’s (10% buyer’s premium) August 15 sale in well-heeled Ilkley, West Yorkshire.

The estate of the widow of Professor H.B. Acton, a former Professor of Philosophy at Edinburgh University, provided the Scottish and Cumbrian auctioneers Thomson Roddick & Medcalf (15% buyer’s premium) with an attractive group of 20 Modern British lots to put before bidders at The Royal Scots Club in Edinburgh on July 25.

UK: After months of speculation as to whether Tim Clifford might be able to secure a private treaty purchase on behalf of the National Galleries of Scotland, Michelangelo’s (1475-1564) pen and ink Study of a Mourning Woman finally came under the hammer at Sotheby’s (20/15/10% buyer’s premium) July 11 Old Master drawings sale with an estimate of £5-7m.