Scotland

FOR decades it baffled many that Scotland could not host a major, vetted quality antiques fair of any size, but that changed in 2000 when Fran Foster of Centrex, the organising arm of Birmingham’s National Exhibition Centre, took her successful Antiques For Everyone formula to the Scottish Exhibition and Conference Centre and launched Antiques For Everyone – Glasgow.

EDINBURGH auctioneers Thomson, Roddick & Medcalf (15% buyer’s premium) dispersed 532 lots at their Edinburgh saleroom on March 15 and auctioneer Sybelle Medcalf felt the market held up pretty well considering the international climate.

ALTERNATIVE investment might be too strong a word for it, but the current desperate state of returns in the stock market and other investment areas does seem to be having a positive effect at art sales, at least in Scotland.

For a Scottish antique, no provenance is more guaranteed to stir the blood than a connection, however tenuous, with a romantic outlaw. At Lyon & Turnbull’s sale on 26 March the link was Rob Roy McGregor, or at least the cattle rustler’s loyal kinsman and Glasgow magistrate Baillie Nicol Jarvie.

FROM April 10 to 13 the Glasgow Art Fair, the largest contemporary art fair outside London, will run for its eighth year in its pavilions in George Square in the heart of the city.

A secondhand bookshop in Glasgow and two Yorkshire dealers are celebrating a windfall of several million pounds after settling their dispute over the ownership of a lost cache of William Blake watercolours. The folio of 19 illustrations for Robert Blair’s poem, The Grave, one of the most exciting “finds” in art market history, have been sold through London art dealer Libby Howie, acting on behalf of an anonymous collector, for an estimated £4.9m.

One of the more mysterious objects at Lyon and Turnbull’s (17.5/10% buyer’s premium) decorative arts sale in Edinburgh on November 6 was this Art Nouveau pewter table lamp. Auctioneer John Mackie could not comment on why the futuristic design, measuring 2ft (60.5cm) high and apparantly unmarked, should have eclipsed a forecast of £300-500 and reached £6500.

WHILE the Irish picture market continues to boom, the Scottish market showed serious jitters at Bonhams Edinburgh (17.5% buyer’s premium) on the evening of December 5.

Edinburgh’s Royal College of Surgeons was the venue on the evening of October 29 for the sale by Thomson, Roddick and Medcalf of four important and original wallpaper designs by William Morris (1834-1896).

A second hand bookshop in Glasgow and two dealers are locked in a legal dispute over the ownership of a lost cache of William Blake watercolours, valued at over £1m.

THIRD time lucky for the annual Antiques For Everyone – Scotland fair, held at Glasgow’s Scottish Exhibition and Conference Centre from August 23 to 25.

This large Highland hunting landscape by John Frederick Herring Senior proved to be the highlight of Sotheby’s annual auction series held last week at the Gleneagles Hotel in Scotland, when it sold for £470,000 (plus 19.5/10% premium) to London dealer Richard Green Fine Art bidding on the phone.

Many sporrans are military or feral in character, but this leather wallet had graced the groin of Sir Harry Lauder, legendary laird of the music hall. Winston Churchill sounded dangerously like Samuel Johnson when he described the folk singer and comedian as “Scotland’s greatest ever ambassador”, but there is no doubt that Lauder, though dead since 1950, remains popular with tourists who swallow his sentimental vision of the old country.

Golf has always been a subject that can have a dramatic effect on the price levels of artists who normally make little impact in the salerooms. Take the case of Frank Watson Wood (1862-1953), a Berwick-on-Tweed watercolourist who specialised in landscapes and marines, the best examples of which fetch around £1500 at auction.

FOR the third year running, Birmingham-based fairs director Fran Foster stages Antiques For Everyone – Scotland and she hopes that from August 23 to 25 the exhibitors – more than 100 dealers at Glasgow’s Scottish Exhibition and Conference Centre – build on the considerable success of the first two.

“SOME types of Bow have revived in popularity and botanical subjects are very popular,” said specialist Deborah Clarke, after a set of four octagonal plates, two shown right, were consigned by a Scottish collector to Bonhams (17.5 per cent buyer’s premium) sale of ceramics and glass in Edinburgh on June 28.

JUST as the world’s top golfers were teeing off for The Open at Muirfield last week, Scotland was celebrating another hole in one. Grants totalling more than £2m from the Heritage Lottery Fund, the National Arts Collection Fund, the Royal and Ancient Golf Club, St Andrews and private benefactors meant that the Scottish National Portrait Gallery could acquire the nation’s most important golfing painting, Charles Lees’ (1800-1880) oil on canvas, The Golfers (1847).

UK: Edinburgh auctioneers Lyon and Turnbull are expanding their business with the creation of three new jobs, two of them in silver and jewellery.“We are bucking the trend by continuing with our expansion plans as other auction rooms in Scotland reduce their workforce and close offices,” said vice-chairman Paul Roberts.

Nanking means to most people the rape of that city by the Japanese; to ceramics collectors it conjures up memories of the Nanking Cargo, but in the specialist picture market it is the place where the 1842 treaty was signed opening up five ports to British merchants “without (molestation or restraint”.

A BONUS of the bona fide house clearance is the family rug – usually in a dishevelled condition but market-fresh, which surprises auctioneer and local trade alike by taking the top price of a sale from a mysterious overseas buyer.