Scotland

The Fine Art Society in Edinburgh’s next pair of exhibitions from July 21-August 28 features works of the birds and the boys.

Sensational results for Scottish author in Lyon & Turnbull sale recall a doomed family link...

“In the 19th century, before football came along, it was all about field sports,” says Iain Byatt-Smith of Bonhams’ (25/20/12% buyer’s premium) Scottish picture department.

Coming up next at The Fine Art Society in Edinburgh is the exhibition Between Tides: Scotland’s Working Culture of the Sea.

Jenny Saville’s (b.1970) contorted and grotesquely fleshy female nudes are hot property on the contemporary art market.

Symbols of good fortune and longevity in both China and Japan, cranes cast in bronze with incised decoration were simply catalogued as oriental at the April 10 sale held by Edinburgh auction house Thomson Roddick (16% buyer’s premium).

Victorian exuberance or Georgian elegance – you pays your money and takes your choice. At Lyon & Turnbull (25% buyer’s premium) on April 5, it cost a great deal for the former and rather less for the latter.

Johannes Schröder (1870-1942) was not only a wealthy German merchant but also a globetrotter and a pioneer in utilising the invention of photography to document his time.

James Howe’s (1780-1836) c.1817 All Hallow’s Fair on Calton Hill shows an event that was already a thing of the past when the picture was completed.

Charles Rattray was a tobacconist and blender of fine tobaccos at 160 High Street, Perth. The firm occupied these premises from c.1915 until 1981.

Enforcing its Scottish significance, a Renaissance gold pendant known as the Fettercairn Jewel has been bought by the National Museums Scotland.

Presumably the recipient, one Charles Salter of ‘Edinborough’, was pleased to receive to this 18th century green-glazed creamware presentation teapot in 1791.