London

Five days after Sotheby’s auction, a smaller, 152-lot Russian sale comprising works of art and pictures went under the hammer at Christie’s South Kensington’s rooms on November 26 and here too buyers picked over the contents with 60 per cent changing hands.

The name Stanley J. Seeger will be familiar to many art collectors and auction goers for there have already been no fewer than five auctions of his works of art and pictures since 1993, ranging from 88 works by Picasso sold in New York to Contemporary art in Milan and 18th-20th century British pictures in London.

Over the last year or so there have been some worryingly disappointing results at London and New York auctions of 19th century British and Continental pictures. Bidding in London at Bonhams’ (17.5/10% buyer’s premium) November 19 sale of 19th Century Paintings, however, exhibited some much-welcomed signs of renewed solidity, with 64 per cent of the 182 lots finding buyers.

November 19 was a very busy day for silver fanciers, obliged to make a decision about which of a trio of overlapping London sales they wished to attend in person. As well as King Sreet's main sale, there were more standard offerings at Christie’s South Kensington and Bonhams Knightsbridge (each 17.5/10% buyer’s premium).

There is still plenty of time to catch the Christmas show at the Fine Art Society, 148 New Bond St., who inform us that the exhibition in fact runs until December 21st and not the 11th as first reported in last month’s Decoration and Design.

LONDON-based Brian and Anna Haughton are moving their International Ceramics Fair & Seminar from the West End to the Commonwealth Centre in Kensington where it will be staged in conjunction with a new event, The London Asian Art Fair.

The market for high-value Victorian pictures took a downturn last week when Christie’s and Sotheby’s Important British Picture sales posted some worryingly high levels of bought-ins.

CENTRE Exhibitions, the organising arm of Birmingham’s National Exhibition Centre, are launching a new Antiques For Everyone fair at the Earls Court Exhibition Centre in West London next August.

The upside of Asian art in London is that the volume of sales pulls in all the Asian and international buyers. The downside of this concentration is that scheduling without overlap is difficult and buyers inevitably pick their way through all those goods selectively. Christie’s South Kensington, who fielded a marathon 600-plus lot Chinese auction on November 14, felt both effects.

A private collection of Wood family Staffordshire pearlware figures was the main focus of a sale of British ceramics held by Sotheby’s Olympia on November 19.

Korean Art: IT was the half dozen pieces of Korean works of art that rounded off the Japanese sale at Sotheby’s Olympia rooms on November 11 that provided the auctioneers with their sale highpoint in the form of this painting by Park Sookeun (1914-65), one the country’s most sought-after artists.

AT the last moment London-based international arts magazine Apollo has been saved. The December issue was to have been the last of the magazine, which was established in 1925, but late last week it was announced that The Spectator (1828) Ltd. had acquired all the assets of Apollo in a private sale, with immediate effect.

Asian art in London, the annual nine-day celebration of the capital’s artistic, academic and commercial expertise in the Asian art field, was in full swing last week with auctions, dealers’ shows, lectures and exhibitions. The highlight of this year’s Asian auction series was this Chinese 15th century Chenghua mark and period ‘Palace’ bowl, part of the collection formed by the 2nd Baron Cunliffe offered at Bonhams on November 11 where it sold for £820,000 (plus 17.5/10 per centpremium).

Egyptian material is the current antiquities favourite, especially Egyptian sculpture, so perhaps it was no surprise to see just such a piece top Sotheby’s November 6 sale of antiquities from the Charterhouse collection.

New look Olympia fair puts a spring in its step: CLARION Events, the in-house team who organise the Fine Art and Antiques Fairs at Olympia, are adopting a radical new approach to bring in customers for their Spring Olympia fair next February.

BONHAMS have continued their bullish programme of expansion and modernising with a complete facelift – internal and external – of their Knightsbridge salerooms. With a grand launch on November 25, the new-look rooms have seen much more of a change than the makeover they enjoyed in the late 1980s.

Back on October 8, Christie’s South Kensington (17.5/10% per cent buyer’s premium) held one of their periodic silver sales where the emphasis is on Scottish and Irish silver. There is a keen collector’s market for such pieces if they are unusual in some way (carrying scarce Scottish provincial marks, for example), but standard material, as with much else in the silver field, is less eagerly snapped up unless very keenly priced. So it proved here.

There were no massed ranks of Prussian royal silver on offer at Sotheby’s Olympia (17.5/10% per cent buyer’s premium) on October 24. On offer here was a good 350-lot commercial mix of English and Continental fare from a variety of sources which netted £310,000.

LONDON: AXA Art Insurance, sponsors of Asian Art in London, have announced the winners of the two AXA Art Awards, one for two-dimensional and the other for three-dimensional works.

Antiquities dealers could find their trade in legally exported artefacts threatened despite due diligence if the Egyptian government succeeds in reversing Sotheby’s sale of a granite bust of Ramses II.