London
Catalogued For Sale
10 August 2004REINFORCED at the spine with linen some time ago, the sale catalogue seen right was issued in 1836 by a Mr Pigott for a sale of farming stock, garden and other seeds, plus household furniture, held at Normandy Farm, near Ash in Surrey – the home of “the late William Cobbett, Esq. MP”, and of course author of Rural Rides. In a Bloomsbury Auctions sale of June 17, it was sold for £400 (C.R. Johnson).
Football heroes gather once more
10 August 2004FOR the second year running, dealers and auctioneers are to face each other across the football pitch rather than the saleroom in the Antiques Trade Gazette-sponsored annual challenge.
From rolling balls to bells and whistles
10 August 2004ANOTHER of the top-priced clocks to feature at Christie’s King Street (19.5/12% buyer's premium) on July 2 was this Regency rolling ball skeleton timepiece pictured right, made in Edinburgh by Robert Bryson after the model by Sir William Congreve, the inventor of the rolling ball clock.
Stalkers £6000 Treatise of Japanning and Varnishing ...
10 August 2004THE earliest book in English on the subject, John Stalker’s Treatise of Japanning and Varnishing... of 1688 has been described by H.D. Molesworth as “a work of art in its own right... as readily accepted for its literary content as for its technical information”.
Three steps to healthy profit
21 July 2004NEWS sometimes takes a little time to filter out but I can confirm that at least three dealers made a profit out of last month’s Fine Art and Antiques Fair at Olympia.
Tame Cats & Wild Things
21 July 2004A LARGE scale oil by Kathleen Hale of Orlando Reclining Amongst Flowers failed to sell against a £10,000-15,000 estimate at Sotheby’s on July 8, but the autograph draft manuscript of Orlando (The Marmalade Cat) becomes a Doctor of 1944, right, each page with pencil and coloured crayon drawings (some with added wash or gouache, a few unfinished) did sell at £5000 to a London gallery.
Behind the wardrobe...
21 July 2004THE very fine 1950 first edition copy of The Lion, the Witch and the Wardrobe seen right, with just a few nicks to the jacket skilfully repaired, was sold for £6000 to a collector by Bloomsbury Auctions on June 17, but at Sotheby’s on July 8, a complete set of the seven books that make up C.S. Lewis’ Chronicles of Narnia was left unsold on an estimate of £5000-7000.
Poetic blooms by Stevenson
21 July 2004ILLUSTRATED right is a very good copy of the 1885 first edition of Robert Louis Stevenson’s splendid A Child’s Garden of Verses that made £1200 (Bauman Rare Books) as part of the Alan Fortunoff library at Bloomsbury Auctions on June 4.
Etruscan funerals and Roman triumphs
21 July 2004SECOND generation Mayfair antiquities dealership Charles Ede Ltd, issue four catalogues a year devoted to different areas of their speciality, and they have just published their illustrated volume listing the Etruscan and Roman Antiquities currently available at their showroom at 20 Brook Street.
Harry Pottering
21 July 2004HARRY Potter prices are not quite as strong as they once were, but the fine “unread” copy of the 1997 first of Harry Potter and the Philosopher’s Stone seen right was sold on June 17 for £11,000 at Bloomsbury Auctions, who had it hopefully estimated it at £15,000-20,000.
Tolkien and his US copyright
21 July 2004THERE was a 1954-55 first edition set of Tolkien’s Lord of the Rings books in a Sotheby’s sale of July 8 that sold at £6500 to a collector – all three volumes impressions in slightly frayed jackets, one of them with a tape repair, showing a little browning and spotting.
Speculation surrounding antiquities sale at Bonhams
20 July 2004ENORMOUS pre-sale speculation surrounded the 25-lot single-owner antiquities sale that came under the hammer at Bonhams Bond Street (19.5/10% buyer’s premium) on July 14, not least because the vendor was strongly rumoured in the trade to be the world’s most prolific collector, Sheikh Saud of Qatar.
Fresh Constable is irresistible
20 July 2004IT was, perhaps, a telling sign of the current shortage of high-quality, market-fresh Old Master paintings in the salerooms that Bonhams (19.5/10% buyer’s premium) July 7 Old Master Paintings sale should be headed by this hitherto unrecorded John Constable (1776-1837) plein air oil on canvas sketch, right, of the artist’s home village, East Bergholt.
Ephelia revealed
20 July 2004IN reporting the sale of the John R.B. Brett-Smith library at Sotheby’s on May 27 (Antiques Trade Gazette No 1646, July 3), I mentioned and illustrated the sale at £2800 of a work of 1679 called Female Poems on Several Occasions written by Ephelia.
Look up, look down, look out – South Kensington goes Pop
13 July 2004DECADES before Damien Hirst’s formaldehyde sheep and the 1990s explosion of Britart, London was swinging to the rhythm of Pop Art’s movers and shakers. Forty years have now passed since the height of this international movement prompting Christie’s South Kensington (19.5/12% buyer’s premium) to host the first of what they hope will become an annual Pop Art themed sale on June 30.
Vermeer wows the crowds with £14.5m
13 July 2004RIGHT: despite the occasionally negative press the antiques trade has received in recent weeks a media circus arrived at Sotheby’s on July 7 to watch the Bond Street auctioneers sell Young Woman Seated at the Virginals, a newly-acknowledged picture by Johannes Vermeer (1632-75).
Poor trading climate continues for Partridge
13 July 2004IN its latest published results, Partridge have recorded a significant fall in both turnover and profits citing again the very difficult trading conditions.
Cast iron successes in a sticky market
13 July 2004ROUNDING off the European furniture, carpets and works of art sale at Christie’s South Kensington (19.5/12% buyer’s premium) on June 15 was a 78-lot collection of hall stands, mostly made in cast iron.
…and the appeal of Rowlandson now lies at the affordable level
13 July 2004THOMAS Rowlandson’s (1756-1827) watercolour Place des Victoires, Paris (estimated £60,000-80,000) failed to find a buyer when offered at Sotheby’s (20/12% buyer’s premium) on July 1.
When two low points of the market combine, who is going to shell out £500?
13 July 2004THE problem with over-ambitious estimates does not just apply to the sort of significant paintings which consignors may be led to believe are worth sums in the £100,000-£1m range.
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