London

Spink medals specialist David Erskine-Hill is leaving to take over as Lord Ashcroft’s medals curator on the retirement of Michael Naxton.

The lone swimmer at the Brockwell Lido pictured here appears oblivious to what’s going on alongside the walkways.

This hyper-realist oil on canvas 'Orlando Furioso' was painted by Pierre Peyrolle in 1996 and is one of the collection of pictures by the artist included in La Profondeur de l’Artifice, the first exhibition for the French artist in the UK. It runs at the Tomasso Brothers’ London gallery until May 11.

Among the flurry of sales providing a welcome spring tonic for the trade generally, two weighted heavily towards furniture provided welcome encouragement.

Creative flair combined with a maverick approach to metalwork set Louis Osman (1914-96) apart from other British designers of the post-war era.

When the opportunity arose to sell a small group of pictures by obscure local artist Bernard Myers (1925-2007), Krassi Kuneva of Chiswick Auctions (15/12% buyer’s premium) seized the chance.

Running to 600 lots and achieving £560,000 hammer, a recent London sale incorporated a wide range of collecting fields, from Dickensian theatrical ephemera to children’s books and all things Irish.

Our weekly selection from salerooms and dealerships.

Kensington Church Street dealer Simon Spero is to sell his personal collection of English blue and white porcelain at a special exhibition next month.

Abbott & Holder’s upcoming exhibition features the work of two 20th century female wood engravers: Clare Leighton and Gwen Raverat.

An exhibition of works by LS Lowry (1887-1976) has recently moved from Peter Harrington’s Dover Street shop to its Fulham Road location where it is on show until April 28.

Spink specialist observes extra interest ahead of sale marking centenary of RAF’s founding.

Alan Wheatley Art opens a retrospective of the art of Modern British artist Alan Davie (1920-2014) this week.

Prof Antony Charles Thomas (1928- 2016) may have been a “towering figure in British academic archaeology during the second half of the 20th century” but another area of interest is betrayed by his Who’s Who entry.