UK

The United Kingdom accounts for more than one fifth of the global art market sales and is the second biggest art market after the US.

Through auctioneers, dealers, fairs and markets - and a burgeoning online sector - buyers, collectors and sellers of art and antiques can easily access a vibrant network of intermediaries and events around the country. The UK's museums also house a wealth of impressive collections

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The dealers who carve their own niche in the fairs season

17 June 2004

IN one of the most crowded week’s in London’s arts and antiques calendar, the Grosvenor House and Olympia fairs are still in full swing. Some may ask if we need more in the way of dealers’ selling exhibitions but they would get a dusty reply from the trade.

Fords, Furness and Ffrendes

16 June 2004

TWO BOX files of Ford manufacturers’ catalogues, advertising material and other ephemera of 1920s and ’30s motoring interest brought a bid of £1550 in a May 19 sale held by Thomson Roddick & Medcalf and the only other lot to reach four figures was a collection of some 370 postcards relating almost entirely to Ulverston and Furness.

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Heath Robinson’s asbestos fun

16 June 2004

IN a May 18 sale held by Tennants of Leyburn, a copy of the 1902, first trade edition of The Tale of Peter Rabbit, bearing a neat inscription that was added 90 years later, was lotted with a copy of Jack and the Beanstalk in English hexameters by Hallam Tennyson and illustrated by Randolph Caldecott [1886?] and sold for £1000.

The Wright stuff – pamphlet soars to £2500

16 June 2004

FOUND in a box of aviation books that was brought into the salerooms of Sworders of Stansted Mountfitchet following a North London house clearance was a little pamphlet entitled Experiments and Observations in Soaring Flight.

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Travies looks good and soft enough to touch...

16 June 2004

OVER a period of 30 years, the late Sir Charles Clarke of Broadhurst Manor in Sussex built up a remarkable collection of engravings, drawings and other material by Edouard Travies. He came to be recognised as the leading authority on the artist and his collection of Travies lithographs of La Chasse and other similar suites of plates is perhaps the finest ever to have come onto the market.

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Swedish history bound for a French king

16 June 2004

A VERITABLE feast awaits lovers of early bindings at Christie’s on July 7, when they present the first part of the Michel Wittock collection, a 118-lot sale of Renaissance bindings, but seen right is something rather special from their sale of June 2.

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Repeating pattern for chess sale

15 June 2004

DR Kaspar J Stock’s interest in chess sets was kindled when he received a traditional red and white chess set as a wedding present in 1960. He spent the next 40 years building up his collection, first hunting around the flea markets and antique shops of Northern Europe and Italy then extending his catchment area further afield to St Petersburg, New York and the Far East.

NTS appeal to prevent Dumfries House sale

15 June 2004

THE National Trust of Scotland are looking to the Scottish Executive to lead the effort to prevent the piecemeal sale of the contents of Dumfries House, home to one of Scotland’s most celebrated collections of 18th century furniture.

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Wardle’s terriers can’t be too clean for the trade

15 June 2004

THE received wisdom of the art market tells us that heavily restored paintings attract little demand from the trade at auction. But sometimes a subject is just too commercial for dealers to pass by, such as this Arthur Wardle (1864-1947) canvas, right, of four terrier puppies, Mischief in Quadruplet, which came up for sale at the Nottingham rooms of Mellors & Kirk (15% buyer’s premium) back on April 23.

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Good, bad or ugly – it’s all white on the night

15 June 2004

WOW! The Royal Academy Summer Exhibition is really different this year. Well, the colour scheme is, anyway.

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Jade collection adds international flavour to Wiltshire

15 June 2004

AN 18-strong offering of Chinese jades at Woolley & Wallis' (17.5% buyer's premium) May 25-26 sale, including this pale green, reticulated vase and cover, right, had emerged from an old South-of-England collection consigned via a fine art agent in Chichester.

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Going for a Song… at £600,000

15 June 2004

Pictured right is the highlight of what turned out to be London’s Asia Week’s most successful auction.

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Ham – for the sophisticated diner

15 June 2004

IN these time-strapped days of TV dinners and takeaways, grand dining is something of a rarity.

The art trade in the picture

15 June 2004

GAZETTE journalist Scott Reyburn will find himself the subject of scrutiny rather than being the scrutineer for a change thanks to his contribution to So This Is London, an exhibition that forms part of Art Fortnight London.

New young collectors vie with keen Cornish for Troika

15 June 2004

AUCTIONEERS David Lay (15% buyer's premium) of Penzance can rely on strong local demand for home-grown collectables such as Newlyn copper and Troika pottery at the bi-monthly sales.

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Silver is the star on a day of Deco

15 June 2004

BONHAMS Chester hosted a 484-lot collectable ceramics and applied arts sale on April 27.

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An essential voyage on Bush Hardy’schoppy seas

15 June 2004

NO self-respecting specialist auction of marine paintings would be complete without at least one example from the brush of that most prolific and popular of late 19th century marine painters, Thomas Bush Hardy (1842-1897).

Time comes for clockmaker

15 June 2004

AN instrument maker from Manchester, who switched careers four years ago to become a clockmaker, has won a £13,250 Queen Elizabeth Scholarship to attend a specialist clock restoration course.

Clarion Events in management buyout talks

15 June 2004

FAIR organisers Clarion Events are negotiating a management buyout from Earls Court Olympia, the group just bought by private property fund St James Capital in a £245m takeover.

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Why the watercolour world of Lear now looks affordable

15 June 2004

OVER the last couple of years, a number of auctioneers have been complaining that lesser-name Victorian watercolours in the sub-£500 range have become the weakest of all areas at picture sales, sometimes to the point of having no market at all.

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