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Probably given to Private William George Loveland by his wife, this ‘Soldier Bear’ was taken to France and back during the First World War.

‘Drum’ form mustard pots – known at the time as mustard tankards or cans – first emerged in the second half of the 18th century as the fashion changed from dry to wet mustard.

This pair of mid-18th century Dresden sauceboats were once part of the huge holdings of silver used at the court of Frederick Augustus II (1733-63).

Charles Robert Ashbee’s pseudo medieval wirework silver and glass jugs and bottles rank among the Guild of Handicraft’s finest work.

Gray MCA has a couple of busy months in store. From January, the fashion illustration, design and textiles gallery stages Drawing on Style: Original Fashion Illustration at Edinburgh’s Dovecot Studios.

Although Malta supported an estimated 600 makers from 1680-1820, relatively little silver from the period survived on the island.

The term pomander derives from the French pomme d’ambre, meaning ‘apple of amber’, a reference to the aromatic substances – ambergris, musk, civet, and spices – once formed into small balls and carried as protection against disease.

Richard Joyce, a member of one of the Tribes of Galway (the 14 merchant families who dominated the political, commercial and social life of the city), led an extraordinary life.

A green wineglass in the Prince of Wales service pattern is among the highlights in the Delomosne Christmas exhibition this year.

Although termed strawberry dishes, the classic early Georgian plain serving dish with raised fluted sides and a scalloped rim, were used for a variety of purposes.

Four lots once belonging to British army officer, author and artist – and fascist sympathiser – Lieutenant-Colonel Graham Seton Hutchison (1890-1946) went under the hammer at Special Auction Services (20% buyer’s premium) in Newbury.

Thames view by Modern British artist Nevinson was acquired by another leading early 20th century figure

Sustained scrap silver prices of more than £30 an ounce have sent large quantities of middle-of-the-road Georgian and Victorian domestic silver to the melting pot. Today, to sell well above the bullion price, it helps if silver comes with a strong narrative. ATG reports on a few great storytellers.

Scottish contemporary silver by Graham Leishman Stewart (1955-2020), squirreled away for decades in private collections, is now slowly beginning to reach the secondary market.

Irish silver pocket corkscrews from the Georgian period are not common.

Shakespearean themed watercolour takes hammer price of £75,000 as confirmation of the artist’s status