UK
The United Kingdom accounts for more than one fifth of the global art market sales and is the second biggest art market after the US.
Through auctioneers, dealers, fairs and markets - and a burgeoning online sector - buyers, collectors and sellers of art and antiques can easily access a vibrant network of intermediaries and events around the country. The UK's museums also house a wealth of impressive collections
Busier sale illustrates a point…
23 March 2004WHETHER it was coincidence or whether they were reaping the benefit from their new marketing strategy, David Duggleby (15% buyer's premium) noted a definite rise in business at their 347-lot quarterly outing on February 23 when buyers were found for 85 per cent of entries.
Troika revival complements oak sale
23 March 2004HELPED by both the input of new collectors and the appearance on the market of some good pieces, Troika pottery certainly experienced renewed interest in 2003.
Hungarian ceramics return home
23 March 2004Shown right are two highlights from the sale conducted by John Bellman (15% buyer’s premium) of Newpound, Wisborough Green, on February 18.
Clocks chime with lively mood
23 March 2004IT is always in the interest of auctioneers and the trade to talk the market up, but there does seem to be a general consensus among auctioneers that business this year so far has got off to a frisky start.
Turmoil years are Fine Art choice for a comeback
23 March 2004FOUNDED in 1876, The Fine Art Society at 148 New Bond Street is one of London’s oldest and most innovative galleries and it has chosen a fascinating theme for its next exhibition, which opens on March 23 when the gallery gets back to business after two months renovation.
A Stuart allegory translated at £9000
23 March 2004Lyon & Turnbull’s 110-lot private collection did not just comprise Scottish silver, but also silver of Scottish interest. Among the more idiosyncratic elements in the catalogue was this allegorical Jacobite snuffbox, right.
Textiles department moves from Salisbury to Netherhampton
23 March 2004Right: this 17th century stumpwork jewellery casket will be the highlight of the first sale of antique rugs and textiles at the Netherhampton Salerooms. The auction will be put together by the team responsible for the regular specialist sales at Woolley & Wallis – the only sales of their type outside London – that ended in February.
Wine cooler raises sale’s health
23 March 2004KIDSON-Trigg (15% buyer's premium) reported a healthy turnout for their 725-lot February 26 sale with steady interest for collectable ceramics such as Beswick and the better-quality furniture attracting a mixture of local and UK private and trade buyers.
Welsh connection in focus
23 March 2004Welsh Ceramics in Context: Part I, edited by Jonathan Gray, published by the Royal Institution of South Wales, Swansea Museum, Victoria Road, Swansea SAl lSN. ISBN 0950851752 £17.50sb. THIS well-illustrated book is based on the papers delivered to the first Welsh Ceramics in Context seminar held at Clyne Castle in 2002.
Bailey keeps Tatton show on the road
23 March 2004ESSEX organiser Robert Bailey is not a man easily daunted, which was fortunate when a week before his Cheshire Spring Antiques and Fine Art Fair at Tatton Park he was warned of major road closures for visitors using the M6 and the Manchester route M56.
Bonhams review auction charges: Premium changes shift burden off seller and on to buyer
23 March 2004From April 1 Bonhams will increase the buyer’s premium in their Knightsbridge rooms to bring it in line with that charged at Bond Street.
Looking for more niche specialists
23 March 2004LAST September, businessman and glass enthusiast Nicholas Lyne sold his stake in Berkshire auctioneers Law Fine Art to his partner and co-founder Mark Law and teamed up with Sussex ceramics dealer Brad Dover of Jupiter Antiques to launch the Kensington Ceramics & Glass Fair, the first of which was held at the Kensington Close Hotel on February 26 and 27.
Tables top solid demand for standards
23 March 2004THE final 130 or so offerings in Abbotts (10% buyer's premium) 675-lot Suffolk sale on March 10 showed that good examples of standard late Georgian and Victorian furniture can still find buyers if the price is right.
Roses’ bloom has faded, but not blown over
23 March 2004FIFTEEN or so years ago works by the likes of Helen Allingham (1848-1926) and the Stannards of Bedfordshire had the sweet smell of success all over them. However, in more recent times the general consensus is that watercolours of this genre, which I loosely describe as “roses round the cottage door”, have slipped from favour.
The problem of identifying bonafide Boningtons…
23 March 2004Illustrated in colour on the catalogue cover of Clevedon Salerooms’ March 4 sale was a watercolour described as being by Richard Parkes Bonington (1801-1828).
Binding for Columbus
23 March 2004JUST two of the 600 or so lots that made up a March 2 sale of books and prints held by John Nicholson of Fernhurst, Surrey, managed four figure bids – a binding and a postcard album.
Half of sale gets away from trade as new buyers show confidence
23 March 2004ARE there any corners of Britain where the trade can enjoy an old-fashioned auction without the intrusion of confident private buyers? If so, Abergavenny is no longer one of them.
The fall and rise of a tragic young man
23 March 2004ALTHOUGH Derwent Lees (1885-1931) is recorded in reference books, such as the Handbook of Modern British Painting and Print-making 1900-1990, published by Ashgate, he is not that well known outside specialist trade circles.
Confidence from Oxford to Scotland
23 March 2004ALREADY a good day out for the public, there is increasing trade awareness of the Oxford Brocante, the third of which will be held on Sunday April 18 at the Randolph Hotel in Beaumont Street. With the emphasis very much on decorative works it also offers vintage fashion.
The mysterious case of the lost archive…
23 March 2004IT could have come straight out of one of the author’s own stories – a lost archive of unique material valued at two million pounds uncovered in the offices of a London law firm after being missing for decades.
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