UK

LONDON’S art world leaders have come up with an initiative for extending the peak selling period that is London in June.

ALTHOUGH most of the finest cast-iron mechanical money banks were made in America (and many of those by J&E Stevens of Connecticut), by 1885 a British company had got in on the act.

FURNITURE historian Bill Cotton and the Cotswold Antique Dealers Association (CADA) are among those participating in Chairs 2004, the first international chairmakers’ symposium. The new event will be held at the National Arboretum at Westonbirt, Tetbury from May 1-3.

ONE can always rely upon Lincolnshire auctioneer Chris Richardson of Richardsons, Bourne (15% buyer's premium) for a straight up-and-down opinion of business in his area.

“ANOTHER glorious array of items from our railway heritage with many record prices,” was Ian Wright’s verdict after Sheffield Railwayana Auctions' (no buyer's premium) specialist March 13 sale, and certainly a sale total of £427,000 with only 16 of the 550 lots unsold would be the envy of most auctioneers, some of whom must be wondering if the railwayana market is ever going to run out of steam.

THE gulf in value between fully authenticated pictures and those with mere attributions was clearly in evidence on March 4 when this 18th century Irish School landscape, right, came up for sale at the Amersham Auction Rooms in Buckinghamshire.

With a dozen works by the artist currently on show at Tate Britain’s Pre-Raphaelite exhibition, Sussex auctioneers John Nicholson (15% buyer’s premium) could hardly have picked a better time to offer a watercolour by George Price Boyce (1826-97) than at their March 17 sale in Fernhurst.

A HIGH Court judge has retired to consider his ruling in a case that could revolutionise the terms under which auctioneers do business.

ONE of the hottest Modern British names in the last few years, has been Winifrid Nicholson (1893-1981), whose half-length portrait of her husband Ben Nicholson made a record £100,000 at Lawrence’s, Crewkerne in January 2002.

BUCKINGHAM-based Dickins Auctioneers have pulled a major rabbit out of the hat for their inaugural Spring picture sale on April 17 by including a previously unseen collection of 24 Erté (1892-1990) gouache theatrical costume designs which will include this one, right, for Showgirls.

OF the 830 lots offered in Fieldings (12.5% buyer's premium) February 28 sale, a painting provided the highest price but a chair the biggest surprise.

THIS weekend (April 17-18) Northumberland auctioneer Jim Railton will sell the residual contents of the late Dowager Countess of Tankerville’s estate house in Chillingham, pictured right.

THE Royal Museum & Art Gallery of Canterbury have acquired a van Dyck portrait of one of the city’s most famous sons from one of London’s leading Old Master picture dealers.

IS there currently a more buoyant sector of the ceramics market than Beswick animals? Malcolm's No. 1 Auctioneers (12.5% buyer's premium) March 29 sale, held at Trustees Hall, Boston Spa, attracted what Malcolm Dowson estimated to be his largest ever attendance in over 20 years of auctioneering. The primary reason? A private collection of Beswick horse figures entered without reserve by a local resident who has decided to live in Spain.

WITH sales of standard furniture chugging along – but at least finding buyers – Gildings (12.5% buyer's premium) of Market Harborough, in common with many in the provinces, looked to ceramics and clocks to provide the day’s highlights at their March 16 sale.

From the standpoint of manufacturing history, dispersals of any factory collection are always tinged with sadness.

NOT all the market resides in a state of stagnation.

Since the time of Edward II, an ingot of gold weighing one pound has been part of the oblation at a coronation – presented by the monarch to the Archbishop of Canterbury and placed on the altar as instructed in the Liber Regalis and thus “fulfilling the commandment of Him who said ‘Thou shalt not appear empty in the sight of the Lord thy God’”.

EVERYONE is aware of how rich a thin stratum of Russians have become in the post-glasnost years. The buying power of Russia’s new rich was amply in evidence on March 23 at Bonhams (19.5/10% buyer’s premium) Bond Street when the spectacular 3ft 1in x 5ft 8 3/4in (94cm x 1.74m) canvas, Nero’s Torches, by Henryk Siemiradzki (1843-1902) sold at £260,000 at an otherwise fairly predictable 19th Century Paintings sale.

THE Fine Art Auction Group are to adopt the Dreweatt Neate Fine Art name for their full network of regional salerooms. The move follows the addition of the Donnington Priory company to the group’s portfolio in November last year.