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This 18in (45cm) high Chongzhen (1627-44) blue and white sleeve vase dated to the Wuyin year corresponding to 1638 is decorated with a scene from a popular 17th century drama based on a Tang poem.

Bonhams’ Fine Chinese Art sale on November 2 includes this Qing jade carving of a mythical beast that formed part of the seminal Chinesische Kunst exhibition of 1929 in Berlin.

The Woolley & Wallis Japanese sale includes some good examples of the Edo period porcelains that wowed the European courts of the 17th and early 18th centuries.

This Italian polychrome lava stone and pietra dure panel is probably by the Sicilian mosaicist Giovanni Battista Cali.

This pair of kesi chair covers woven with front-facing dragons against an apricot ground, date from the late Ming or early Qing dynasty period.

Susan Page brings a selection of snuff bottles from the Golden Autumn Collection to this year’s Asian Art in London, staging the show at Daniel Crouch Rare Books in St James’s.

This colonial-era Indian silver horse racing trophy is marked for Peter Orr and Sons of Madras.

Large urban or coastal scenes in the manner of LS Lowry were the stock-in-trade of Brian ‘Braaq’ Shields (1951-97).

The art of the Samurai comes to Essex firm Sworders on November 2.

This Ming dynasty cloisonné enamel literati subject box and cover, 15th or very early 16th century, is one of the highlights on offer at Priestly & Ferraro’s exhibition of Chinese ceramics and works of art.

Results from a flurry of fairs early this autumn prove there is plenty of space for such events in the London market.

This halfpenny featuring a ‘wild man’s head’ from northern Japan actually promotes a rather less fiercesome individual: Richard Summer, a perfumer and dealer in curiosities in Cavendish Street, London.

Carvings of animals by a former Fabergé carver are to be auctioned at Bamfords next month.

This 18th century Korean eight-panel screen depicts a subject borrowed from Ming prototypes: a banquet honouring the famed Tang dynasty general Guo Ziyi.

Kinghams (25% buyer’s premium) had held its inaugural Silver & Objects of Vertu sale on September 8.

The highest prices at auction for the Camden Town Group artist Charles Ginner (1878-1952) have all come for oil paintings but his precise, lucid style very much leant itself to the medium of watercolour.

All that David Bennett asks is that you don’t call him a ‘leg’ man.