UK

While Georgian spectacles are relatively common at auction, 17th century examples are a rarer beast.

Trio of family paintings depicting Jervis’ finest hour bring £90,000 result for marine specialist Charles Miller

This George II caddy-topped mahogany chest bears not one, but two original trade labels for the London cabinet maker Giles Grendey (c.1693-1780).

Like so many other organisers, Donny Mann of Love Fairs is delighted to be back running fairs after such a long absence.

Dewlish House yields ‘good old-fashioned house sale with everything on offer’

The 27 animal models created for Beswick by Colin Melbourne represented the firm at its most avant garde.

A group of naive oils found boxed up during a house move drew strong interest at Hanson Holloway’s Ross (25% buyer’s premium), making a combined £36,000.

Titanic specialist auction house Henry Aldridge & Son sells poignant items related to the rescue and recovery ships.

Thousands of items are available to buy from dealers online. Here we pick out one that caught our eye this week.

Out on the Romney Marshes in east Sussex is a series of small buildings that is Hoof Brocante.

Green issues are coming to the fore but the focus for art and antiques delivery firms in the past year has been dealing with Brexit and the pandemic.

Much is made about the green credentials of antiques but transporting them can affect their carbon footprint

Sworders' latest Design sale included a group of Arts & Crafts items from the estate of the design writer and biographer Fiona MacCarthy (1940-2020).

Artists throughout history have been inspired by the moon and its light. Mysterious, illusive, and ethereal, this celestial body has been utilised to convey all manner of themes from romance and religion to fantasy and intrigue.

A pair of 3ft 7in high (1.12m) Victorian iron pier finials cast as rampant lions have returned home after two decades missing from a family home.

This typical Monet-inspired, sun-drenched beach scene by Dorothea Sharp (1874-1955) is priced at £18,500 as part of a Modern British exhibition at Thompson’s Aldeburgh.