UK

The United Kingdom accounts for more than one fifth of the global art market sales and is the second biggest art market after the US.

Through auctioneers, dealers, fairs and markets - and a burgeoning online sector - buyers, collectors and sellers of art and antiques can easily access a vibrant network of intermediaries and events around the country. The UK's museums also house a wealth of impressive collections

Appeal for return of stolen mermaid

25 February 2002

POLICE are casting their net farther afield in the hope of recapturing a missing mermaid, and the thieves who stole her.

Spain’s loss is Cheshire’s gain

25 February 2002

Furniture was strong at this Cheshire sale at Patrick Cheyne on 26 January where the top seller was a set of eight (six and two carvers) and two near-matching George III style bleached walnut dining chairs.

The Japanese, the Irish and the Australians

22 February 2002

TWO LOTS were bid to £800 in the 150-lot book and map portion of this Hampshire sale on 6 February at George Kidner, which put them some way ahead of most others on the day.

That Mozart moment when high comedy is transmuted into poignancy and self-realisation...

22 February 2002

The music sale held by Sotheby’s on December 7 contained two exceptional manuscripts – both of them presenting examples of the composer’s best loved works.

William Fitzpatrick’s 1793 mission to Nepal

22 February 2002

THE COPY of Colonel William Fitzpatrick’s Account of the Kingdom of Nepaul... that sold for £380 in this Somerset sale at Greenslade Taylor Hunt on 13 December was not a great one.

Lower estimates key to sticky sales

21 February 2002

While it is almost impossible to sell some routine furniture at present, Keys specialist Paul Goodley echoed the traditional view that attractively pitched guidelines are the key to success.

Baldwyn's art flying high among Royal Worcester collectors

21 February 2002

Topping this 740-lot sale on 25-26 January at Raymond Inman's was a pair of Royal Worcester two-handled vases painted by Charles Baldwyn, one of the most distinguished Worcester designers, with images of swans on a river with raised water reeds to one side and flying swans to the other.

Surreal days as Dali brings disappointment and delight

21 February 2002

Against the background of the London Impressionist, Modern and Contemporary sales both the major auction players held specialist Surrealist evening sales – Christie’s (17.5/10% buyer’s premium) on February 4 and Sotheby’s (20/15/10% buyer’s premium) on the following evening of February 5.

A spin-off from the PoW industry

21 February 2002

NOT the priciest offering at Exeter auctioneers Hampton & Littlewood (15% buyer’s premium) on January 30, but undoubtedly the most interesting was this early 19th century automaton right, made from bone.

Rare set of five lithograph posters from 1917 by Burkhard Mangold

21 February 2002

Christie’s South Kensington’s Ski sale, held annually in February, was doubly topical this year, coinciding with the Winter Olympics.

Organisers team up to launch new programme of fairs

21 February 2002

TWO well-known organisers, Towy Antiques Fairs and Sue Ede, have joined forces as the Towy Ede Partnership to launch a new programme of fairs. The first date will be the Newbury Antiques Fair, a weekend event to be held at the Newbury Racecourse on June 15 and 16.

Specially designed gallery rides the floods

21 February 2002

FLOOD waters threatened to sink a £1m antiques emporium just weeks after its official launch. The flowing lines of antique and interior design dealers Mansers’ new showroom on the outskirts of Shrewsbury echo those of an ocean liner, but Mother Nature added the final touch when the River Severn burst its banks last Tuesday, leaving the new building seemingly afloat in the turbid waters around the historic Shropshire county town.

Glass peaks and design book troughs

21 February 2002

There were peaks and troughs in Christie’s South Kensington’s (17.5/10% buyer’s premium) annual 166-lot Art Nouveau sale, February 12, but little appears to have changed since their last auction foray into this field, in April 2001.

Grosvenor House 11

21 February 2002

ELEVEN top dealers make their debut at this summer’s Grosvenor House Art and Antiques Fair and it is clear that the organisers of our most prestigious event have taken the opportunity to beef up their fine art quota.

£1m expected for watercolours that Blake made for a “petty sneaking knave” and The Grave

18 February 2002

In 1805, William Blake was commissioned by Robert Harley Cromek to make a set of 40 drawings to illustrate Robert Blair’s poem The Grave, 20 of which Cromek proposed to have engraved by Blake.

Arne’s co-opera(tive) ‘Love in a Village’

18 February 2002

BOOKS played a fairly minor part in the first Newbury antiques sale of the year at Dreweatt Neate on 30 January – one that raised in excess of £1.5m, a record for the Berkshire saleroom – but they did get the proceedings under way, and the very first lot in the catalogue, a misbound and now disbound and browned copy of Love in a Village, a comic opera as performed at The Theatre Royal, Covent Garden... showed the way in selling for a double estimate £200.

Sotheby’s play down UK class action

18 February 2002

Sotheby’s have responded to the threat of legal action over alleged price fixing at UK auctions, playing down the claims of legal firm Class Law.

Seventy years on, etchings rise again

15 February 2002

Buying art as an investment has always been a perilous business. Back in the 1920s during the so-called Etching Boom speculating collectors were prepared to pay hundreds of pounds – ie more than the price of an average London house – for single prints by ultra- fashionable artists such as Muirhead Bone, David Young Cameron and James McBey.

Winifred’s winner

15 February 2002

Rise of Winifred Nicholson goes on apace with amazing bid of £100,000 for portrait of Ben: Over the last two or three years Winifred Nicholson (1893-1981), the first wife of Ben Nicholson, has become an increasingly significant figure in the Modern British market, culminating in the record £52,000 paid last July at Phillips for one of her trademark window still lives.

The American touch of gold

15 February 2002

Anyone looking at this small 19th century still life painting, right, for the first time could be forgiven for rubbing their eyes with disbelief to hear that East Sussex auctioneers Gorringe’s (15% buyer’s premium) had allocated it an estimate of £20,000-30,000 at their January 29-31 sale in Lewes.

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