Features

The rise of payment using debit and credit cards for art and antiques comes with the challenge of chargebacks. Andrew Saunders reports on how these can be tackled

The card providers contacted by ATG were reticent on the subject of chargebacks, although we did receive this statement from Mastercard UK:

The Consumer Credit Act provisions enable an aggrieved consumer buyer to make a claim against the credit card company for any breach of contract or misrepresentation by the retailer or trader.

Tips on avoiding and dealing with fraudulent chargebacks...

Tips on staying ahead when it comes to chargebacks...

We present the candidates for the 2017 AAL Awards, co-sponsored by ATG. Two honours are given for outstanding works of art: to a dealer and an auction house. Also, awards judge Anne Crane of ATG gives a personal insight.

There are 10 auction house participants in AAL this year, the number swollen by an increased international presence. ATG provides a selection of auction preview highlights.

A dozen years since the first designated Asian art sale in the UK regions, the calendar throngs with specialist events.

Dealers in Mayfair, St James’s and Kensington Church Street use Asian Art in London as a chance to bring out their showstoppers in exhibitions at their home or temporary spaces. Here, ATG picks out some of those events in more detail.

The Asian Art in London festival of exhibitions and auctions runs for the 20th time from November 2-11. Here, Kate Quill and Roland Arkell look back at how it all began and what this year's event involves.

As London gears up for the 20th Asian Art in London festival in November, ATG talks to its founders and participants on evolving the event to stay relevant and distinct in a crowded calendar

Tapering cabinets or yuanjiaogui were valued by the Ming and Qing for their practical use, as the primary place of storage for clothes and linen, and also paintings and books.

They have big, wise shoes to fill but Asian art gallery managers of a younger vintage are determined to make their mark, as ATG finds out...

Every work of art speaks about the culture from which it came, the artisans who made it or the history of collecting and artistic appreciation. Rather than huge commercial worth or ostentation, a strong narrative is the defining feature of so much Asian art.

Lazarus Halstead, head of Asian art at Chiswick Auctions, describes this 33ft (10m) long handscroll as “both a work of art and an historical document”.

Paul Moss chose an unorthodox route to move the family firm into its second century. Here he discusses his passion for ‘great’ Asian art, the ebbs and flows of the market and succession planning.

A long tradition of trade between China and Java culminated with the establishment of a trading colony in 1297, early in the Majapahit period (1292-1500).

Traditional tastes and newer trends were in evidence at auctions in London, the regions and overseas during the past 12 months. Here ATG selects its hammer highlights...

ATG speaks to two exhibitors at 'Asian Art in London' - Jacqueline Simcox who has participated at the event since 1998 and Red Finer of Peter Finer Fine Antique Arms and Armour who joined in 2016.

This Japanese bronze okimono of turtles – symbolic of longevity and good luck – belonged to the empress Shōken (1849-1914), the consort of the emperor Meiji who ruled Japan from 1868-1912.