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Battiscombe looks back on 20 years of SLAD challenges

26 July 2021

After 20 years as director general of The Society of London Art Dealers (SLAD) Christopher Battiscombe is retiring. Former Christie’s director Paul Hewitt will take over the post from September. Here, Battiscombe looks back over his time at SLAD

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Precious metals prices: issue 2503

26 July 2021

On Friday, July 23, Michael Bloomstein of Brighton was paying the following for bulk scrap against a gold fix of: $1803.05 / €1532.27 / £1313.34

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Raeburn at the height of his powers

26 July 2021

Rare market appearance by a Sir Henry Raeburn work heads a special report on recent Scottish highlights

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Whone tram trundles to record at McTear’s

26 July 2021

Growing collector interest in the work of musician-artist Herbert Whone (1925-2011) has meant his auction record price has been beaten on an almost annual basis in recent years.

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Napoleon portrait sold to Swiss collection at Masterpiece

26 July 2021

Among the sales at the latest edition of Masterpiece, which ran in a digital format for the second year running from June 24-27, was this Neoclassical portrait of the Emperor Napoleon in his coronation robe.

ATG letter: Portobello – tat is hiding the arcades

26 July 2021

I write regarding Bridget McConnel’s comments on the unique character of Portobello (‘We need to keep unique Portobello character’, Letters, ATG No 2498).

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Father and son both earned Polar Medals

26 July 2021

What is believed to be the only father and son Polar Medal group to be awarded more than doubled the top estimate at Warren & Wignall (17.5% buyer’s premium) on July 14.

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Auction previews: issue 2503

26 July 2021

A selection of 16 upcoming lots from auctions taking place around the UK

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Cotswolds fair returns to school venue after a long enforced break

26 July 2021

After more than 18 months, 'The Cotswolds Decorative, Antiques & Art Fair' is ready to open its doors again.

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Chinese table topper from private Scottish collection sells 70-times over estimate in Glasgow

26 July 2021

A private Scottish collection was the source of the-top selling lot at McTear’s (24% buyer’s premium) in Glasgow on July 2.

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Ornithological works prove high fliers at Sotheby’s

26 July 2021

Set of urban views takes £220,000 in a sale where ornithological works also impressed

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London Art Week's hybrid event proves 'worthwhile exercise'

26 July 2021

Despite a quiet capital and diminished footfall for the second summer in a row, the latest edition of London Art Week proved to be a satisfactory outing for many participating dealers.

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Vietnamese paintings on silk come to auction in Nimes

26 July 2021

These two small paintings on silk are by the Vietnamese artist Mai Trung Thu.

ATG letter: Substantial tear means relining

26 July 2021

Re: Clean Energy (ATG No 2500). In a recent TV programme an oil painting, where the client had put her hand through the canvas causing a substantial tear, was patched by the restorer before restoration.

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Peach of a lot consigned in a plastic bag attracts 100 bids

26 July 2021

Very much to current collecting taste is the 6½in (16.5cm) ‘peach bloom’ saucer dish shown here, offered by Batemans (20% buyer’s premium) on July 3.

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Parfilage: the pick of the bunch at Bleasdales’ sewing sale

26 July 2021

Set of tools was designed specifically to take apart rather than create fine textiles

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The web shop window: First edition of Ian Fleming’s 'From Russia With Love'

26 July 2021

Thousands of items are available to buy from dealers online. Here we pick out one that caught our eye this week.

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Double gourd snuff bottle sniffed out

26 July 2021

Mallams’ (25% buyer’s premium) latest Asian art sale was topped at £27,000 (estimate £3000-5000) by a Qing jade double gourd form snuff bottle.

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Pinxton pieces at their finest

26 July 2021

William Billingsley (1758-1828), a key figure in the history of both English and Welsh porcelain, left the Derby factory in 1795 yearning to create the finest, whitest and most translucent porcelain.

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Hat trick: ‘Hunter at his best’

26 July 2021

Vibrant colours, good subject and intriguing composition helped to spark a bidding competition for a painting by George Leslie Hunter (1877-1931).

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