Events and conferences

One of Persian scholar Imam Ghazali’s (1058-1111AD) best-known works, Kimiya-yi Sa’ādat (The Alchemy of Happiness), was compiled late in his lifetime during a period of unrest between Sufi mystics and Islamic scholars – the former accused of overphilosophising Islam and neglecting the importance of ritual practices.

Depicting sinewy limbed bearers relaxing beside a mahannah, this work 'Palanquin Bearers at Rest' by George Chinnery (1774-1852) is considered the largest and most accomplished figure drawing of the artist’s long career.

Asian Art in London: Indian & Islamic Art takes place from October 21-30.

Asian antique jewellery specialist Sue Ollemans offers this Indian pair of early 19th century earrings made in Lucknow.

Roseberys’ sale of Islamic, Indian Art & Antiquities on October 26 includes this large Seljuq bronze incense burner modelled in the form of a bird.

One of the largest selling exhibitions in recent years of 18th century Plymouth and Bristol porcelain is under way at London gallery Albert Amor in Bury Street.

Dynamic and gestural, this vast 5ft 6in x 11ft 3in (1.67 x 3.45m) oil on canvas, below, was painted by Gillian Ayres (1930-2018) during the 1980s.

King’s Cross on an ordinary, busy afternoon in March is the subject of this 1998 work by the late Leon Kossoff (1926-2019).

Unexpected, unusual and often overseen objects are the stock in trade of art gallery Oliver Hoare.

Available to buy for £2800, this 12 x 18in (30 x 45cm) oil of a grey Andalusian horse in a landscape by Marcus Hodge (b.1966) forms part of a new show dedicated to the equine artist’s latest works.

Waddington Custot is one of the latest galleries to celebrate the work of pioneering 20th century women.

Nearly 80 years after Walter Sickert’s (1860-1942) death and ahead of a major retrospective planned at Tate Britain in 2022, London gallery Piano Nobile is bringing together over 40 of the artist’s figure paintings for an autumn show.

This dramatic scene depicts the burning of a warehouse in Wapping Wharf during the Bristol Riots of 1831.

Mortimer Menpes (1855-1938), who painted this portrait titled 'The Yellow Parasol' visited Japan in the 1880s and 1890s.

Mass-produced in America for several decades from the 1930s onwards, so-called ‘matchbooks’ were used to advertise alcohol in the post-prohibition era.

Galerie Vauclair, situated on the rue de Beaune, will be showcasing its current exhibition, 'Majolica Mania', during the Parcours de la Céramique.

In addition to its uniqueness and connection to the past, a big attraction to owning a piece of ancient jewellery is that it can still be worn.