Auctions

As 1980s rocker Shakin’ Stevens once sang: ‘Green Door, what’s that secret you’re keeping?’

A round-up of art and antiques news from the previous seven days, including the US ruling on whether Turkey could take ownership of the Guennol Stargazer.

ATG’s pick of auction lots bought by internet bidders on thesaleroom.com, featuring both the highest prices over estimate and the top prices paid online.

Serving in the Glider Pilot Regiment was a tough task during the Second World War.

Prices for good-quality writing desks continue to recover – as was evident when a George II example more than tripled top hopes.

An early work by Alexej von Jawlenksy (1864-1914) will feature in the Côte Basque auction in Saint-Jean-de-Luz on November 19.

Fellows’ Fine Jewellery sale in Birmingham’s Jewellery Quarter on September 30 includes an extraordinary collection of 63 mourning rings.

A painted wooden shop sign that hung for many years from a store in Norwich sold at Norfolk’s newest auction house.

This large Ottoman metal thread and silk hanging features a dedication to Sultan Ahmed III (1673-1736).

Sought-after Russian artist stormed to US sale stardom with a marine scene

This 1950s battery-operated Mickey Mouse toy is part of a selection of Disney-related items in Potter & Potter’s Steiff, Toys and Pop Culture auction.

A recent sale at Wotton Auction Rooms (21.6% buyer’s premium) in Wotton-Under-Edge included this set of three yellow metal fobs set with carnelian intaglios.

This 1932 linocut is by the Swiss artist Lill Tschudi (1911-2004), who studied at the Grosvenor School of Modern Art.

The so-called Irish Crown Jewels or State Jewels of Ireland, were created in 1831 for the Sovereign and Grand Master of the Order of St Patrick. The order was established as an Irish equivalent of the English order of the Garter and the Scottish Order of the Thistle.

A collection of Belleek porcelain totalled £7600 at Cuttlestones (20% buyer’s premium) on July 21.

Our regular listing of UK and Irish book auctions.

It is difficult to replicate the occasion of a royal themed auction. Ergo not everything that resurfaces on the market from the fabled ‘Princess Margaret’ sale at Christie’s in June 2006 shows a great appreciation in value.

Combining technical mastery with recurring motifs derived from nature, Pierre Sterlé’s (1905-1978) style is instantly recognisable.

His daring organic sculptural designs re-energised the British jewellery scene in post-war Britain, now Andrew Grima’s (1921-2007) creations are leading the revival of ‘60s and ‘70s designer jewellery on the secondary market.