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Around 400 people and businesses are owed money by Australian auction house and gallery firm Mossgreen after it went into administration in December.

The British Art Market Federation (BAMF) has explained how exemptions for antiques could work in practice once the government’s proposed ivory ban comes into effect.

The inaugural Design at Home sale, put together by Mark Hill for Dawson’s (20% buyer’s premium) in Maidenhead, included a trio of pieces by ‘hot glass’ pioneer Sam Herman (b.1936).

Renowned as he is for promoting – indeed, creating – markets in art, advertising mogul Charles Saatchi appears to have over-estimated the taxidermy market when bidding at the sale of the Will Fisher Collection at Christie’s South Kensington in February 2012.

Two letters sent by passengers who lost their lives when the Titanic sank in 1912 came to auction in the latter part of 2017: one of them posted before she sailed, the other recovered, along with the owner’s pocket book, when his body was pulled from the freezing Atlantic waters.

Abbott and Holder kicks off 2018 with an exhibition celebrating the art of London’s East End.

Jerusalem, Bethlehem, and the Holy Places…, an elephant folio work of 1865 that sold for a treble-estimate £45,000 at Sotheby’s (25/20/12.9% buyer’s premium) on November 14, was a rare and complete proof copy of a monumental book of Palestinian views recognised as one of the scarcer colour-plate books on the Middle East.

Focus on ‘museum quality’ and certification, says British Art Market Federation...

Clocks from England’s ‘Golden Age’ provided highlights at two early December sales.

Unsigned, but breathing the name of one of the leaders of the Arts & Crafts movement in Scotland, this enamel panel and unmarked silver brooch sold for £5500 at Greenslade Taylor Hunt (19.5% buyer’s premium) in Taunton.

Our weekly selection from salerooms and dealerships.

We regret to announce the death of dealer and picture specialist Dorothy McEwan.

Two pre-Christmas sales, one at Woolley & Wallis (22% buyer’s premium) in Salisbury and one at Mallams (20% buyer’s premium) in Oxford, highlighted the move of studio pottery from esoteric niche into the mainstream market.