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Provenance played a key role in the performance of a small group of pictures formerly owned by one of Australia’s biggest artists, Sidney Nolan (1917-92).

A panel front from a cassone will feature in the April 24 sale of Old Master paintings to be held by Dorotheum in Vienna.

The sort of large-scale, widely varied provincial auction which had Cheffins auctioneer Luke Macdonald enthusing “it was like selling used to be 15 years ago” after his March 7-8 sale at Cambridge (ATG No 2335) is rarer than it used to be, but plainly alive and well and prospering.

An oil by the famous Maltese painter Giuseppe Cali (1846-1930) fetched a five-figure sum when it went under the hammer at Moore Allen & Innocent (20% buyer’s premium) in Cirencester.

The central 350-lot section of the auction of clocks, watches and scientific instruments to be held by Skinner in Marlborough on April 20 comprises a single-owner collection of European tools.

MADAM – I concur with everything that Michael Baggott wrote in ATG No 2235.

Two William and Mary side tables, one period and the other catalogued as ‘style’, bringing different results in March.

Early recipe books can make for absorbing and, to modern readers, occasionally comic or puzzling reading, as demonstrated in three examples from recent sales.

Martin Tinney Gallery celebrates the centenary of Sir Kyffin Williams’ (1918-2006) birth with a selling exhibition of his paintings and works on paper.

The art and antiques trade is calling on the government to re-think its planned restrictions on the sale of antique items containing small amounts of elephant ivory.

Richard Madley, a former director of Dreweatts, has been appointed UK agent for Sydney firm Shapiro Auctioneers, to source objects with an Australian background or provenance to be sold Down Under.

Roland Arkell and Noelle McElhatton on what the new ivory law could mean for art and antiques.

Used to dramatic effect on the cover of the catalogue for a Forum Auctions (25/20/12% buyer’s premium) sale, shown below is one of a collection of around 125 monochrome watercolour drawings of Irish lighthouses and the Irish coastline produced c.1860-67.

Despite visible condition issues, a pair of carved giltwood console tables, catalogued as c.1740 and later, sailed past modest expectations to bring £65,000 (plus 24% premium) at Dreweatts 1759 of Donnington Priory.

The work of the MacMahon photographic studio of Aberdeen, this extraordinary carbon print was made in 1908 and depicts ‘Giant Cod Specimens…’ bought and cured by A&M Smith, a local fish processing and curing business.

Piasa is holding a second auction devoted to the colourful works of the Ukrainian-born artist Sonia Delaunay (1885-1975) on April 26.

Antiques Trade Gazette can confirm that Chiswick Auctions has proof of good title for a rare group of maps and charts, which the auction house sold last month.

The general parameters of the government’s ivory ban, on the cards for years, are finally clear. As always with issues of CITES, the devil will be in the detail. Though the trade feels despondent in the face of the ban, a small concession on the currently very narrow 'de minimis' rule will make the ban a lot more manageable.

The new, as yet unnamed law will allow for narrow exemptions to the ban. These comprise:

A remarkable Sylvia Plath and Ted Hughes collection which was consigned to auction by their daughter, Frieda Hughes, ran to some 100 lots and formed a separately catalogued part of a recent Knightsbridge sale.