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With so much gold and silver jewellery heading for the melting pot in recent months, Spicers (20% buyer’s premium) in Old Goole, East Yorkshire, was pleasantly surprised by the performance of this tiny 0.7g 9ct gold and enamel charm.

For its summer show this year, Ottocento packs its Petworth gallery with the works of Modern British masters: John Nash, Henry Moore, David Bomberg, Peter Lanyon, Ben Nicholson, and more besides.

One of two translated versions that appeared almost simultaneously emerges in German saleroom

Institutional purchases have become a major feature of the Salon du Dessin works on paper fair

Rare family tree drawing by the 18th-century artist, magician, musician and showman comes to auction

Pupils came to a south London auction house as part of a scheme taking place for the third time.

While the Cheffins auction featured the original drawing for the Duke of Wellington’s funeral carriage (see main Art Market story in this edition), the funeral of another British hero of the Napoleonic wars was in the spotlight in a London sale.

Founded in Spain in 1875 by brothers Fernand, Jules, Léopold and Jacques, Lacloche Frères became one of the great French jewellers of the Art Deco period.

Our regular listing of UK and Irish sales of books and works on paper

The sales at Stargardt (20% buyer’s premium) in Berlin are an important rendezvous for autograph dealers and collectors.

The artist Jean-Michel Moreau the younger (1741-1814) was employed from the 1780s onwards as a dessinateur des Menus-Plaisirs.

Our selection of lots from nine upcoming auctions

London dealer Liliane Fawcett, who since 1984 has traded from Notting Hill as Themes and Variations, began acquiring Italian post-war glass just as the secondary market was forming.

Perth saleroom Lindsay Burns (22% buyer’s premium) posted a new house record with an exceptional piece of period jewellery at its latest three-day sale.

Interest in glyphic art, that reached its collecting apogee during Grand Tour collecting, is resurgent once more.

The grim mortality rate of 17th century Britain precipitated a taste for memento mori jewellery that reached its height of popularity in the early 1700s.