News topics

“It was like the 1970s all over again,” said John Benjamin of Woolley and Wallis, describing the breadth of quality at his jewellery sale in Salisbury on April 24-25.

ROBERT Lenkiewicz, one of Britain’s most controversial artists, has been burgled for the third time in five weeks in what is widely believed to be a ‘stolen to order’ theft.

This marquetry panel, right, was one of the distinguishing features of a much-altered kingwood bonheur du jour which highlighted Dreweatt Neate’s (15 per cent buyer’s premium) furniture and works of art sale on March 27.

The former chairmen of Sotheby’s and Christie’s faced different but equally humiliating fates last week following the auction house price-fixing scandal.

AUCTIONEER Andrew Hartley has been holding biannual toy sales for a decade but the last few years has seen them grow in strength. Totals have risen steadily from around £40,000 several years ago to the £66,000 mark achieved at their most recent 650-lot sale which boasted a 95 per cent take-up.

PRESSURE from the British Art Market Federation has persuaded the Government to relax Import VAT rules on art that are thought to have damaged legitimate trade.

Over the last six months Amersham Auction Rooms have reported an increase in prices for ceramics and collectables in contrast to static or falling bids placed for furniture.

One of only a few thousand produced, a 1935 Dinky Coachcraft, streamlined van, led this specialist toy sale in Sussex at Wallis and Wallis on 18 March.

CONSULTANTS at Christie’s have had it spelled out that they may not bid on lots when they have been privy to confidential information about them through their consultancy.

Auctioneers’ society aims to extend its influence and admit valuers as members: THE Society of Fine Art Auctioneers, concerned over the RICS decision to derecognise the Southampton Institute training courses for the trade, is to vote on approving them itself.

NAPOLEONIC MEMORABILIA (£1 = €1.62): A sale entitled L’Empire à Fontainebleau confirmed the evergreen appeal of Napoleonic memorabilia at Osenat, Fontainebleau (17.94/13.16% buyer’s premium) on March 10, where one of the last linen shirts worn by Napoleon on St Helena was offered for sale.

ITALY: Spring has been slow to bring a little sunshine to the auction world in Italy, with rather lacklustre sales for Finarte and Semenzato’s opening moves. It will remain to be seen whether the scandal that has enveloped Corbelli, majority shareholder of Semenzato and chairman of Finarte, will affect the performance of the auction houses (that are not accused of any wrongdoing) in the more important sales later in the season.

One of the main preoccupations of the 19th century art potters – and a distinguishing feature of much of their work – is an emphasis on hand crafting and experimental work and an interest in the techniques and glazes of earlier periods.

One of the earliest known portraits of Sir Robert Walpole, England’s first Prime Minister, is to be sold at Cheffin’s Cambridge salerooms on May 14, as part of the collection of Cambridge academic Sir John Plumb.

Dreesmann’s 132 lots of Dutch silver made a major input into Christie’s Amsterdam (20.825/11.9% buyer’s premium) session of his collection, accounting for five of the ten highest prices and completely selling out.

THE dust is finally starting to settle in the newly merged Bonhams (17.5% buyer’s premium). Those who lost their jobs have long since gone, departments have been reshuffled and on March 27 the last print sale was held at the Chelsea salerooms.

Limoges enamel has its English equivalent in the rustic little boxes produced by artisans in the South Staffordshire towns of Bilston and Wolverhampton during the late 18th century.

Dr Anton C.R. Dreesmann spent several million dollars of his fortune on Impressionist and Modern art, but, for all this expenditure, few specialists in this most expensive of all sectors of the art market seemed to have regarded Dr Dreesmann as a major collector.

The curious inhabitants of Middle Earth have existed quite happily (and vividly) in the minds of readers since J.R.R. Tolkien’s epic The Lord of the Rings first appeared in the 1950s.

ONE of the most important oils by Irish artist Louis le Brocquy (b.1916) is to return to Ireland after spending nearly 50 years in Italy.