Auctioneers

An 18th century pocket watch by Gibraltarian goldsmith Henry Cowper emerged for sale at Rowley’s auction house in Ely. It belonged to a Lincolnshire private collector who bought it over 50 years ago for £1 from a former resident of the Rock.

A monumental cloisonné vase – the previously missing element to a triptych made for the 1893 Columbian Exposition in Chicago – sold for $110,000 (£85,000) in California.

Growth in the Modern and Impressionist art market outpaced that of post-war and contemporary art in 2018, according to the latest global auction data from Christie’s, Sotheby’s and Phillips.

This exceptional candlestick belongs to a small group of cast and enamelled brass wares made in the second half of the 17th century. All are distinguished by their method of production: unlike champlévé or cloisonné decoration, the enamelled fields were cast in the mould.

Two single-owner collections built up over lifetimes were well received at Canterbury Auction Galleries (20% buyer’s premium) on February 5-6.

Good times at the Oxford rooms of Mallams (20% buyer’s premium), when all bar one of 56 clocks got away almost all going comfortably above estimates.

Collectables untouched by Byronmania but selling well at the Harold Ward auction at Mellors & Kirk on February 6-7 included a 19th century ‘Grand Tour’ Italian alabaster model of the Piazza del Duomo, Pisa, and a gold-mounted malacca walking cane engraved to the pommel with the 1816-37 royal arms.

Three modestly valued works selling at regional sales below £1700, including a a Francis Cyril Rose self-portrait.

The sale of two great collections at auction – one in London, the other in New York – has highlighted the ebbs and flows of the market for early British pottery and furniture.

With the great country house contents sales of the past now largely a distant memory, single-owner collection sales have become the next-best thing.

The best Egyptian antiquities now engender much more than mere scholastic fervour but, for the most part, humbler objects remain eminently affordable.

Drawing interest from the US was a portrait of a fierce-looking Scottish laird by John Pettie (1839-93).

This 2ft (60cm) high Charles II needlework looking glass worked with figures and fantastical beasts emblematic of the seasons was estimated at $10,000-15,000 but sold at $80,000 (£61,500) in the Vogel collection auction at Sotheby's New York.

Three lots selling for multi-estimate sums at regional auctions in the UK including a Staffordshire slipware honey pot from c.1700 that drew demand at Woolley & Wallis of Salisbury.