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If you still believe that the Cotswolds are merely the final bastion of traditional brown furniture, you should take another look at Moreton-in-Marsh. Just opposite Astley House Fine Art, where David and Nanette Glaisyer have shown Victorian and other traditional pictures for 30 years, is Astley House Contemporary, the airy, two-floor gallery they opened just before Christmas.

When it comes to wall power there is nothing like a poster to add presence and focus to an interior, and for iconic or cult status, a film poster is hard to beat.

Decorative arts from 1870s Gothic Revival to 1960s Murano glass and everything in between is on offer at Sotheby’s Olympia this month. Their sizeable gathering of over 230 lots, which goes under the hammer on February 27, takes in examples of all the major design movements of the 20th century (and the latter end of the 19th): Art Nouveau, Arts & Crafts, Wiener Werkstätte, Deco and Modernism.

Altfield, who specialise in traditional craftsman-made furniture and objects imported from the Far East, have a well-established mainly trade outlet at the Chelsea Harbour Design Centre, but last November, they branched out with a new retail showroom at 320 King’s Road, SW3.

Contemporary art continues to outperform many of the more traditional categories of art and antiques, according to a new report by insurers Zurich.

Scrap it or at least make life easier for the trade, new study demands: THE European Union should look again at the whole issue of Import VAT and art market red tape, say The European Fine Art Foundation.

Mallett revealed a 47.6 per cent rise in turnover and a 20 per cent rise in pre-tax profits in 2002, described by chairman George Magan as “one of the most challenging years” in the history of the London dealership.