News

PART of a 12-vol. Winchester edition (1911-12) of the works of Jane Austen, bound in half red calf gilt by Sotherans, that made £3400 as part of the July 21 Lyon & Turnbull sale at Jordanstone.

THE National Art Collections Fund (Art Fund) has criticised the state of public collecting in the UK on the same day as announcing a £500,000 offer to help keep the Macclesfield Psalter in the UK.

WHAT should the art world do when the going gets tough? Many in the trade sit back and whine. Others go into battle. Those who do get up from their derrières and practise a little innovation and lots of enthusiasm often do well in the most difficult of periods.

IN Antiques Trade Gazette No 1276, February 22, 1997, I reviewed a fascinating but somewhat disconcerting exhibition at Archeus Fine Art in London of drawings by Eric Hebborn (1934-1996), who has been described as the maker of the finest art fakes of the 20th century. The show offered rather convincing ‘Old Master’ drawings after the likes of Raphael, Rembrandt and Watteau, which were selling at prices up to £2500.

THIS year marks the 200th birthday of the Royal Watercolour Society and many past members, such as William Callow (1812-1908), have been masters in portraying the detail and differing surface textures of building.

FEATURING a fine portrait initial of Henry VIII and other devices associated with the Tudor monarchs, a vellum document of November 24, 1537, in which the Priory of Combewell [near Goudhurst in Kent] is granted by the king to Thomas Culpeper, was sold for £4400 in an August 26 sale of autographs, historical documents and ephemera held by Mullock Madeley of Ludlow.

ILLUSTRATED right is a collection of eight Mary Norton first editions in dust wrappers, including copies of her first two children’s books, The Magic Bedknob (1945) and Bonfires and Broomsticks (1947), and, of course, a set of the Borrowers titles that made her famous.