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THESE two half-length images of women, right, could hardly be more different in date or technique, but their prices proved as uncannily similar as their poses when they came under the hammer at recent fine art auctions.

THE energy with which Spink pursue their business was made manifest on July 15 when they crammed in another sale which has not been part of their auction schedule in recent years. The total take was £250,850 and, although it was a 519-lot general sale, it offered several homogeneous sections. In all, it taught us really quite a lot about the state of the London coin market.

WHEN Birmingham-based organiser Fran Foster announced last year that she was bringing her successful Antiques For Everyone formula to the capital in the middle of August, many observers, frankly, thought she had been sitting in the sun for too long. Particularly since her chosen venue was Earls Court Two, where Olympia’s organising arm, Clarion Events, had tried and failed to get a high summer fair off the ground just a few years before.

IN 1851 it wowed the world when it won the Council Medal at the Great Exhibition, but for decades its whereabouts have been a mystery. Now, after years of research, Jeremy Lamond, a director of Halls Fine Art, of Shrewsbury, has solved the puzzle of what happened to the first ever exhibition sideboard.

COINCIDING with the run up to the British Open at Royal Troon, Christie’s South Kensington (19.5/12% buyer’s premium) held their summer sale of golf memorabilia on July 8. According to the specialist in charge, David Convery, the auction was “well attended by British based and American buyers,” but, nevertheless, there was still something of a polite hush around the saleroom with most lots barely scraping past their reserves.

THE first outing for Sotheby’s associate Graham Budd Auctions (15% buyer’s premium) offered a large range of sporting memorabilia in a 885-lot sale held at Sotheby’s Olympia on June 9. Football was the most represented sport, contributing to well over half the total number of lots.

KATE Dickens adored her father but found the situation at home after her parents’ separation to be intolerable and in 1860, desperate to get away, she entered into what was to prove a less than happy marriage to Wilkie Collins’ younger brother Charles.