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WHILE some painters, such as Jack Vettriano (b. 1954) and Royal Academician Ken Howard (b. 1932), seem to be able to sell their canvases almost before the paint has dried, many other artists are finding it a precarious market. Contemporary art might be the current buzz word, but it remains a fickle business, with buyers far too focused on seeking out the work of a few A-list names.

THE most sought-after and best-performing English factory amongst the more select gatherings of English wares at Sotheby’s Bond Street sale was undoubtedly Chelsea. The auctioneers had 16 lots to offer, mostly consigned from one collection and of the currently fashionable Red Anchor period botanical type either in their painted decoration or shape.

ENGLISH and Continental glassware was also a feature of Sotheby’s June and July ceramics sales. It accounted for just over 30 per cent of the more affordable Olympia offering, where around two-thirds of the 115 lots changed hands, and just under a fifth of their Bond Street sale where around half the 33 lots found buyers.

SOME steady selling of material which has been hard to shift of late provided some encouragement for the trade generally at Lawrences of Bletchingley's (12.5 buyer's premium) July 20-22 sale and among the 2000 lots – which totalled nearly £200,000 – there were enough of those quirky offerings which make provincial British auctions the fascinating events they can be.

IT is frequently the unusual and the decorative that the market craves today. The ‘peach’ of the sale conducted by Kidson-Trigg (15% buyer’s premium) of Highworth, near Swindon on July 22 was certainly both, a group of 14 painted and carved wood and gesso models of fruit, pictured right.

THE story of the Boscobel Oak that gave numerous pubs a name also, after 1660, became an object of Royalist pilgrimage. By 1680 a protective wall was built round the trunk but, such was the souvenir hunting, by the early 18th century the tree had almost been destroyed. The oak at Boscobel today is almost certainly a descendant and not the one where Charles Stuart spent a sleepless night as he fled Cromwell’s heavies.

THE sale at $350,000 (£190,215) of Conan Doyle’s autograph manuscript of the Sherlock Holmes story, The Adventure of the Sussex Vampire, has already been noted in the Antiques Trade Gazette (No.1646) but the Christie’s New York sale of June 9 that brought that very high bid also included the pair of first edition copies of The Adventures... and Memorials of Sherlock Holmes (1892 and ’94) seen right.