Ink Drawing

A world record price for a comic-strip illustration was paid at a specalist sale at Artcurial in Paris on March 29: Georges Remi Hergé’s 1932 ink-and-gouache design for the cover of Tintin en Amérique.

“A MOMENT of European importance” is how architects acknowledge Tyringham Hall in Buckinghamshire. It is one of the greatest country houses designed by Sir John Soane (1753-1837), the leading architect of his generation.

“Business has been good, but to achieve this I have had to work extremely hard.” This is how Chris Beetles summed up 2004 and, having already taken over £500,000 in sales from his renowned annual exhibition of British illustrators, he is ending the year on a bullish note.

ON view at the Belgrave Gallery, St Ives, these two works by the late Sir Terry Frost represent a gap of some 60 years.

BOUGHT for a few pounds at a Surrey church bazaar within the last five years, this James Abbott McNeill Whistler (1834-1903) pen and ink drawing, right, made a tidy profit for its vendor when it fetched a surprise £26,000 at Rosebery’s (15% buyer’s premium) Quarterly Select Auction in West Norwood, South East London.

Seen here are two black ink silhouettes of Teeterree and Thomas Tooi that sold for £2500 as part of the book and ephemera section of an antiques sale held on October 5 by Finan & Co. of Mere.

The brutality and horror of everyday life in a Japanese prisoner-of-war camp can be seen in a collection of pen, ink and watercolour sketches to be offered on April 16 at Bonhams, New Bond Street’s sale of topographical pictures.

Last summer Christie’s Old Master drawings expert Nicolas Schwed was sitting at his desk in Paris checking through his e-mails when he came across this 460-year-old face staring back at him from his computer screen.