Fine Art

Among the contents of the home of the late Dame Elisabeth Frink (1930-93) and later her son, Lin Jammet (1958-2017), offered at auction last week, was the sculptor’s Royal Academy diploma.

A drawing by Gustav Klimt (1862-1918) sold to a phone bidder for £32,000 (plus 25% buyer’s premium) at Chiswick Auctions last week.

Wider spectrum of buyers means presenting catalogue entries in greater detail can pay off

Delay due to lockdown turns out to be a blessing in disguise in terms of consignments

Two pictures with animal appeal generated decent bidding at a North Yorkshire auction.

Three modestly valued works selling at regional sales including a Harry Clarke.

Belgrave St Ives is moving from its premises of 22 years to operate as an online gallery from September 1. Formerly using a space on Fore Street, it will now run out of its studio and art store in nearby Towednack, where individual viewings may be arranged.

An extraordinary cache of garden statuary, unseen for decades, comes for sale at Summers Place Auctions next month.

While Sotheby’s and Christie’s shifted their main Old Master offerings to the end of July, Bonhams (27.5/25/20/13.9% buyer’s premium) maintained its auction earlier in the month with a sale in New Bond Street on July 7-8.

The lithographs of Alexander Calder (1898-1976) and Joan Miró (1893-1983) feature at Eames Fine Art’s exhibition Miró and Calder: Simpatico, which runs until August 30.

Leading works held back until mixed-category July auctions in a drawn-out sales season.

Artist who kept highland cattle at Midlands home to pose for romanticised Scottish scenes.

Pictured here are two of four photographs by Julia Margaret Cameron (1815-79) sold via thesaleroom.com for £8000 by Duke’s (22% buyer’s premium) of Dorchester.

A group of works on paper generated decent action at Keys’ (20% buyer’s premium) online-only sale of 20th Century design and modern art this summer.

A mix of works across different periods and genres drew attention at the first Pictures through the Ages auction at Mallams (27% buyer’s premium) of Oxford.

Three modestly valued works selling at regional sales including an work on paper by Sir Edwin Landseer.

A terracotta sculpture of Mary Seacole (1805-81) sparked fierce competition at Dominic Winter.

The linocuts produced by artists from the Grosvenor School provided an ideal medium to portray speed and movement in the inter-war machine age – and were perfect for sport subjects too. Those created by Sybil Andrews, such as her classic speedway image, are the best known on this theme.