Glassware

THE Venini factory of Venice are to meet with their lawyers this week to discuss stepping up legal action against the family of Italian glass designer Fulvio Bianconi.

ACCORDING to Hertfordshire organiser Paul Bishop, who works as Oxbridge Fairs, the attendance was up at his fourth Cambridge Glass Fair, held at Chilford Hall Vineyard on September 12.

RELATIVES of one of Italy’s leading 20th century glass designers have launched an assault on the trade in works using his name.

ONE of 11, generally very fine, British drinking glasses consigned from ‘a Highland lady’ to The Scottish Sale held by Bonhams (17.5% buyer's premium) in Edinburgh on August 18-20, was this 3 1/4in (8cm) high polychromed enamel firing glass, right, probably decorated c.1765 by member of the Beilby family of Newcastle.

INNOVATIVE Oxfordshire dealers The Country Seat may be best known as furniture specialists, but they are increasingly turning their focus towards 19th and 20th century design.

HERTFORDSHIRE organiser Paul Bishop, who founded Oxbridge Fairs to mount specialist glass events, holds his fourth Cambridge Glass Fair at Chilford Hall Vineyard, Linton, Cambridgeshire this Sunday (September 12) and, with 100 tables, it is fully booked.

A LOCAL estate provided the Thames Valley firm Bourne End Auction Rooms (12% buyer’s premium) with some fine lots for sale on August 4.

THE long month of August may be a good time to relax, but for glass enthusiasts the end of the month offers the perfect chance to get the pulse racing once again.

ENGLISH and Continental glassware was also a feature of Sotheby’s June and July ceramics sales. It accounted for just over 30 per cent of the more affordable Olympia offering, where around two-thirds of the 115 lots changed hands, and just under a fifth of their Bond Street sale where around half the 33 lots found buyers.

The Decanter: An Illustrated History of Glass from 1650 by Andy McConnell, published by the Antique Collectors’ Club, ISBN 1851494286, £45hb.

THIS technical marvel of the ancient world, pictured right, known as a Roman glass diatretum or cage cup, was cut out of a single blank of glass to form two layers. The solid inner cup is linked to its outer cage only by a series of delicate struts.

Auctioneer Richard Bromell of Charterhouse Auctions (15% buyer’s premium), Sherborne had listened with reserved interest to a client who described a gilt blue glass decanter in his possession “almost identical” to a pair catalogued as in the manner of James Giles c.1770 that had featured in a 1968 edition of Country Life.

THE unexceptional contents of a Scottish country house may have furnished Mallams (15% buyer's premium) April 28 304-lot outing with three-quarters of its entries, but it was the decorative, ornamental works from a variety of other private sources which provided many of the highlights.

BILLED as a regular Victorian sale, the main attractions of Abbots Auction Rooms' (10% buyer's premium) March 29 sale were in a 129-lot specialist decorative arts section – in particular two pieces of René Lalique glass.

BIRMINGHAM auctioneers Biddle & Webb (15% buyer’s premium) have been holding regular decorative arts sales for some years now. Generally 20th century ceramics top the sales list and this was again the case at the April 16 sale when two 13in (33cm) examples of Drunken Bricklayer vases designed by Geoffrey Baxter for the Whitefriars pottery were major stars.

ARCHITECTURAL antiques and stained glass specialist Drew Pritchard is holding a trade and professional open day on Saturday June 19 to officially mark his company’s move into splendid new showrooms and workshops at St. George’s Church, Church Walks, Llandudno in North Wales.

FOR some years now the country’s top glass fixture, the next bi-annual National Glass Collectors Fair will be held at the Heritage Motor Centre, near Gaydon in Warwickshire this Sunday, May 9.

It is not unusual for an auctioneer to receive enquiries from members of the public who have seen items ‘identical’ to theirs in a newspaper, a magazine or on television. In reality the Queen Anne walnut chest turns out to be a 1920s reproduction worth £100 – but, yes, they do look almost identical.

THE importance of colour to collectors of saltglaze ceramics was emphasised at BBR's (10% buyer's premium) March 7 500-lot specialist sale near Barnsley when the orangey-brown hue and unusual subject matter made an Ugly Woman saltglazed inkwell one of the most desirable entries.

OSCAR Pierre Erard is one of the many shadowy figures who occupy the record books of the 19th century glass industry in Stourbridge.