Ceramics

Top price in the latest round of ceramics sales in London was the £22,000 paid at Christie’s King Street rooms on February 24 for this 9in (23cm) wide mid-17th century delft posset pot.

Caughley Porcelain has been on the up recently, gaining in followers and in value. Enthusiasts for this Shropshire factory will doubtless want to make their way to Stockspring Antiques next month for what looks to be an interesting loan exhibition under the title Paul Sandby and Caughley Porcelain.

The market for early dated Delftware showed its claws at the Shrewsbury salerooms of Halls on March 7, where this 5in (13cm) tall tin-glazed earthenware cat jug from 1677 was auctioned with expectations of £20,000-25,000. Spotted by auctioneer Jeremy Lamond hiding behind a much-admired Royal Crown Derby saucer (worth £20-30) on the mantelpiece of a Warwickshire home, the chipped and fritted feline was added to a select group of a dozen jugs, nine of which are dated.

The little underglaze blue decorated cream pails or piggins made by Lund’s Bristol around 1750 are very rare specimens of English porcelain. Only six examples are known to exist, three of them now in museums, so West Country auctioneers Bearne’s were very pleased to offer this 23/4in (7cm) wide example, which they discovered in a local, private Devon house during a routine insurance valuation.

This 19th century George Jones majolica game pie dish and cover led the way at Lawrences (11% buyer’s premium) three-day event, held at their rooms in Bletchingley between February 4 and 6.

IF THERE is one objet d’art that best characterises the antiques market at present it is the curate’s egg – good in parts, but bad overall. The flawed ovum’s brighter regions encompass most low-value collectables – ceramics included.

BESWICK is one of the strongest areas of the 20th century collectable ceramics market so it was not surprising to see trade and private collectors packing these Leicestershire rooms at Gildings to bid on a large single-owner collection from a local deceased estate. What was surprising were the lengths to which bidders would go.

In November of last year this documentary Chamberlain’s Worcester ‘D’ shaped bough pot and cover sold at a West Country saleroom to a private collector and sometime dealer for £2700.

CHESHIRE auctioneers Peter Wilson, (15% buyer’s premium) found it hard going at their November 27-28 sale at Nantwich with only 60 per cent of the 720 lots getting away – but where obvious quality was on offer, bidders were keen enough.

Ceramics, Ethics & Scandal, by Rosalie Wise Sharp, published by RWD Books, Toronto, Canada and distributed by the Antique Collectors’ Club. ISBN 0973141700 £50 hb

Coming up on December 11, 12 and 13 is Rupert Toovey & Co’s Sale of Antiques, Fine Art & Collectors’ Items, which will be the inaugural sale at their new Spring Gardens salerooms in Washington, West Sussex.

Susie Cooper: A Pioneer of Modern Design, edited by Andrew Casey and Ann Eatwell, published by the Antique Collectors Club. ISBN 1851494111 £29.50

LONDON-based Brian and Anna Haughton are moving their International Ceramics Fair & Seminar from the West End to the Commonwealth Centre in Kensington where it will be staged in conjunction with a new event, The London Asian Art Fair.

Auctioneer Geoffrey Barfoot has noted increased activity at the general sales in the Campsea Ashe rooms of Abbotts (10% buyer’s premium) and the mood has spread to fine art – “provided the lots are fresh to market and good or rare”.

This tiled panel advertising Champagne Mercier was one of a rare ensemble of six panels made in the early 1920s, each 5ft 9in x 2ft (174 x 62cm), on offer under the Prunier hammer in Louviers (14.95% buyer’s premium) on November 17. The other tiled panels, accompanied by two landscape friezes, also advertised drinks (Rhum Negrita, St Raphaël, Guillot Triple Sec, Quenot Dijon cassis, Fine Legrand cognac), and were marked G.F.C. France for Gilardoni Fils & Compagnie of Choisy-le-Roi, near Paris.

A private collection of Wood family Staffordshire pearlware figures was the main focus of a sale of British ceramics held by Sotheby’s Olympia on November 19.

THE sale at Amersham Auction Rooms (15 per cent buyer’s premium) on October 3 had a number of items with collector appeal – none more so than this Wemyss cat, right, a speciality within a speciality. The vendors had no knowledge of the value of the 123/4in (32cm) black and grey cat but bidders at Buckinghamshire didn’t need the Wemyss Ware Made in England painted mark to the base to recognise it for what it was and the cat sold to a local dealer at £4000.

In Cologne on October 26 W.G. Herr (18% buyer’s premium) staged a Jubilee sale to mark their 50th auction in the cosy Friesenwall gallery where, as he puts it, Werner Herr has been “swinging the hammer” for 20 years.

THAT the Berkshire auctioneers Law Fine Art could garner more than 1000 lots, sell more than 70 per cent of them and reach a total of £160,0000 for this latest of their thrice-yearly ceramics and glass sales says as much about Mark Law’s and Nicholas Lyne’s operation as it does for the general strength of ceramics in these generally difficult times.

SHOWING until November 23 at Gary Grant’s gallery at 18 Arlington Way, London EC1, near Sadlers Wells, is a selling exhibition Post-war patterned pots which offers 110 pieces highlighting innovative designs on mid-20th century ceramics.