Ceramics

A successful sale isn’t always an instant transaction and one of the more notable features of exhibiting at a fair is follow-on business. This can often take some time to materialise but is nonetheless satisfying, especially when it produces a particularly pleasing conclusion, as was the case with this pair of 18th century Sèvres vases à compartiments, pictured right, which London dealer Robert Compton-Jones of the Woollahra Trading Co. took to the Paris Biennale last September.

With only seven others known to exist, this pair of 1750s Worcester gugglets was destined for success when offered on July 22 at Bristol Auction Rooms. Acquired fairly recently by a local private source, the 9in (24cm) high pair were originally estimated at just £400-600.

Clarice Cliff and Moorcroft: THE majority of Clarice Cliff’s colourful and highly decorative pottery may be financially accessible to large numbers of enthusiasts for three-figure sums, but the top end of the market is driven by a relatively small number of wealthy buyers.

In addition to those almost ubiquitous geographical crests, the WH Goss factory embellished their finely potted miniature wares less frequently with images of royalty and nobility, flags, buildings, verses and flora and fauna.

ISLINGTON dealers Gary Grant Choice Pieces, specialists in mid-20th century design, particularly textiles, ceramics and glass, host the launch of a new, extended and revised edition of Steven Jenkins’s definitive book on Midwinter pottery this month at their gallery at 18 Arlington Way, London EC1 and from July 25 to August 16 celebrate the launch with a selling exhibition of Midwinter.

Burleigh: The Story of a Pottery by Julie McKeown, published by Richard Dennis Publications. ISBN 0903685809. £45hb

One of the highlights of the English porcelain section of Sotheby’s Olympia’s ceramics sale on July 3 will be a group of pieces from the celebrated Duke of Gloucester Service produced by the Worcester factory c.1775. The service is said to have been made for William Henry, Duke of Gloucester and Edinburgh and Earl of Connaught (1743-1805), younger brother of George III.

Textiles from Mexico, by Chlöe Sayer, published by The British Museum Press. ISBN 0714125628 £12.99sb

BRITISH pottery specialist John Howard, whose particular enthusiasm is Staffordshire, is a familiar figure at quality fairs and when I caught up with him last week on his stand at Olympia he told me that there had been some changes on the home front.

NOT for nothing is the antiques market known for being unpredictable, nay, almost perverse. In the middle of the worst recession that many dealers have experienced, the worst drought that many salerooms have ever had to endure, auctioneer Nigel Kirk of Mellors and Kirk recorded his best sale in the brief (ten-year) history of his business on 10-11 April. He could not quite believe it, especially as half of the furniture lots failed to sell, but the statistics bore out the remarkable reality.

Pictured on the front cover of the 530-lot catalogue offered by Suffolk auctioneers Abbotts (10 per cent buyer’s premium) on March 12 was a group of Moorcroft pottery assembled by a Southwold collector over the past 25 years.

This rare and impressive Royal Worcester porcelain model of a Golden Eagle, right, attracted huge amounts of interest from Royal Worcester collectors when it came to the rostrum on April 10 at the Worcester rooms of Andrew Grant (15% buyer’s premium).

THE auction record for Clarice Cliff was sent tumbling last week on May 14 when Christie’s South Kensington sold this May Avenue charger for £34,000, almost double the previous high of £18,000 paid in December 2001 at Phillips for a charger decorated with the Windmill pattern.

IT’S hard to say whether modern studio potters find the Della Robbia story inspiring or depressing. Established by Harold Rathbone and Conrad Dressler in Birkenhead in 1894, in its 12-year operation the factory became a key part of the Arts and Crafts movement but also went broke.

Getting Sotheby’s Olympia’s (20/12% buyer’s premium) 288-lot April 2 sale of British and European Ceramics off to a brisk start was a well received section devoted to early Italian maiolica, Dutch Delft and other tin-glazed earthenwares.

Devon auctioneers SJ Hales (15 per cent buyer’s premium) have moved to a wider field than the ceramics, and particularly Staffordshire, on which they founded their reputation but this area remains their strength. The 500 varied ceramic lots and nearly 200 Staffordshire pieces took most of the better prices among the 1500 offerings at the new Bovey Tracey rooms on March 12 and 13.

Illustrated are a pair of ice pails, covers and liners from the Duke of Newcastle’s Derby porcelain service, c.1797, dispersed by Mellors and Kirk in Nottingham on April 10.

The death of Walter Moorcroft last year and the strong prices at Sotheby’s recent dispersal of the Wade collection have reinforced the popularity of this market, especially for the earlier Macintyre wares. A small collection at Bonham’s sale in Bury St Edmunds yielded the following results.

Minton did majolica just a bit better than anyone else – not just in their large monumental and sculptural pieces but also in the smaller and more mundane wares.

The Oriental glazes of the Midlands Arts and Crafts pottery known as Ruskinware have proved remarkably popular in the past year, as the disposal of the Wade collection at Sotheby’s and the Birkett Collection at Bonhams took prices in this market to unprecedented levels.