Ceramics

Quinn’s Auction Galleries is selling a collection of around 1000 pieces of Wedgwood assembled by Adele Barnett, the founder and past president of Washington DC’s Wedgwood Society, and her husband Alan. The collection is to be offered in its Falls Church saleroom on April 14.

Selling just short of the auction record, this 10in (26cm) tall stoneware pot, below, by John Ward (b.1938) went to an online bidder on thesaleroom.com at £17,500 at Rogers Jones (20% buyer’s premium) in Cardiff.

Having for decades been like one of those obscure religions in which passionate believers go about their business to the benign bemusement of everyone else, studio pottery is winning converts by the day.

The 96-lot section of studio pottery offered at Woolley & Wallis’ (25% buyer’s premium) wide-ranging ceramics sale at Salisbury on March 21 included a private collection of the work of David Leach (1911-2005) and Walter Keeler (b.1942).

An American private collector bid £15,000 for a rare Clarice Cliff figure group at Woolley & Wallis in Salisbury.

Last week’s review of a recently published ebook on a Dallas collection of early English pottery included an image of a pair of figures of the famous bare-knuckle pugilists Thomas Cribb and Thomas Molineux.

MADAM – I am an artist and a restorer and have been working with broken Staffordshire figurines for some time now – re-inventing and giving them a new lease of life.

Bac To Basic Antiques brings a special display of First World War commemorative pottery to this edition of the Antiques for Everyone fair.

Porcelain by Jacob Petit (1797-1868) is a scarce sight at provincial rooms.

“It’s not the age or pedigree – it’s the look of the piece.” The phrase became less a heresy and more a cliché during the latter years of the furniture boom of blessed memory, when the increasingly influential decorator trade was spending substantial sums on 19th and early 20th century reproductions.

Julian Eade deals in antique pottery and porcelain. He specialises in Doulton, particularly artist-signed pieces, as well as Royal Worcester, Minton, Coalport and other factories. He stands at the upcoming edition of Antiques for Everyone.

Peoples of Russia part II… On these pages last week (ATG No 2330) mention was made of the series of porcelain figures of ethnic Russians produced by the Imperial Factory in St Petersburg from the late 18th century up to the revolution.

It was in keeping with a Salisbury sale dominated by the remarkable £460,000 bid for a teapot made at Cain Hoy, South Carolina by John Bartlam c.1765 (see ATG 2331), that the same Woolley & Wallis (25% buyer’s premium) ceramics sale included a group of three rare enamel boxes made for the American market.

“I hesitated to share my collection in this way lest it be perceived as boastful, but I want to leave a record for the future. I hope Obsession… encourages other collectors to share their expertise in a similar manner.”

The name of the late Bill Coysh is instantly recognisable to enthusiasts of transfer printed pottery.

The ceramics and glass offering at a recent Chiswick Auctions' (25% buyer’s premium) sale included a particularly fine Raeren salt-glazed jug c.1600.

Multi-estimate results greeted the Joyce Paretti collection of perfume bottles sold by John Nicholson’s (24% buyer’s premium) of Fernhurst in two instalments before and after the new year.

Much of the Clarice Cliff pottery that finds its way into UK salerooms is relatively inexpensive. However, a clutch of pieces by the Staffordshire born and bred designer due to go under the hammer over the next few weeks will attract those in the hunt for scarcer works.

Despite their small size and often unsophisticated appearance, Lowestoft models of animals are highly collectable.