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FRANCE: Camard reported “strong progress” in demand among trade and private buyers for 20th century ceramics last year. They returned to the field this year when they offered a “panorama of 100 years of history of ceramics” at Drouot on January 25.

THE judgment in the £1.5m claim against Mayfair art dealers Agnew’s could have important repercussions for the rules and conventions on attribution in UK art sales.

Sotheby’s have responded to the threat of legal action over alleged price fixing at UK auctions, playing down the claims of legal firm Class Law.

FRANCE: Pictured right is a restored 18th century two-part fountain basin, with a veined red marble shell topped by a white stone lion head, which sold over expectations for €25,000 (£15,500) at Tajan on January 30

Buying art as an investment has always been a perilous business. Back in the 1920s during the so-called Etching Boom speculating collectors were prepared to pay hundreds of pounds – ie more than the price of an average London house – for single prints by ultra- fashionable artists such as Muirhead Bone, David Young Cameron and James McBey.

Rise of Winifred Nicholson goes on apace with amazing bid of £100,000 for portrait of Ben: Over the last two or three years Winifred Nicholson (1893-1981), the first wife of Ben Nicholson, has become an increasingly significant figure in the Modern British market, culminating in the record £52,000 paid last July at Phillips for one of her trademark window still lives.

Anyone looking at this small 19th century still life painting, right, for the first time could be forgiven for rubbing their eyes with disbelief to hear that East Sussex auctioneers Gorringe’s (15% buyer’s premium) had allocated it an estimate of £20,000-30,000 at their January 29-31 sale in Lewes.