UK

If you still believe that the Cotswolds are merely the final bastion of traditional brown furniture, you should take another look at Moreton-in-Marsh. Just opposite Astley House Fine Art, where David and Nanette Glaisyer have shown Victorian and other traditional pictures for 30 years, is Astley House Contemporary, the airy, two-floor gallery they opened just before Christmas.

When it comes to wall power there is nothing like a poster to add presence and focus to an interior, and for iconic or cult status, a film poster is hard to beat.

Decorative arts from 1870s Gothic Revival to 1960s Murano glass and everything in between is on offer at Sotheby’s Olympia this month. Their sizeable gathering of over 230 lots, which goes under the hammer on February 27, takes in examples of all the major design movements of the 20th century (and the latter end of the 19th): Art Nouveau, Arts & Crafts, Wiener Werkstätte, Deco and Modernism.

Altfield, who specialise in traditional craftsman-made furniture and objects imported from the Far East, have a well-established mainly trade outlet at the Chelsea Harbour Design Centre, but last November, they branched out with a new retail showroom at 320 King’s Road, SW3.

IF THERE is one objet d’art that best characterises the antiques market at present it is the curate’s egg – good in parts, but bad overall. The flawed ovum’s brighter regions encompass most low-value collectables – ceramics included.

PRIVATE pictures with reasonable estimates proved a recipe for success at Bonhams (17.5/10% buyer’s premium) on February 3 where 75 of the 101 lots found buyers at the £823,130 sale.

Londoners are steeling themselves for the introduction of the daily £5 congestion charge on February 17, introduced by Mayor Ken Livingstone in a bid to reduce traffic and pollution in the capital. The Antiques Trade Gazette has been asking members of the trade what effect it will have on their businesses.

A secondhand bookshop in Glasgow and two Yorkshire dealers are celebrating a windfall of several million pounds after settling their dispute over the ownership of a lost cache of William Blake watercolours. The folio of 19 illustrations for Robert Blair’s poem, The Grave, one of the most exciting “finds” in art market history, have been sold through London art dealer Libby Howie, acting on behalf of an anonymous collector, for an estimated £4.9m.

The Red House, the former home of designer William Morris acquired last month by the National Trust, is due to open to the public in Bexleyheath later this summer. But aficionados of the Arts and Crafts movement who cannot bear to wait that long should take a look at the Clarke Gammon sale in Guildford on February 25, where the residual contents of the Victorian house are being dispersed.

AS a one-off, the spring version of the twice-yearly Cardiff Antiques and Collectors’ Fair decamps to the nearby country town of Cowbridge. Carmarthen-based Robert and Carol Pugh, who operate as Towy Fairs, have been forced out of their regular venue, the Cardiff Bowling Club, by a rather rougher fixture than bowling, the Rugby League Cup Final which will be held at the Millennium Stadium on the same weekend – April 26 and 27.

PEOPLE are always coming up with new fairs, very few of them exciting, but last week I heard of one to be launched this spring, which does seem to have more than just a bit of flair. Boldly called Antiques & Audacity at Arundel Castle, it is organised by an outfit called Zygo.

Coming up in Lincoln: “ENGLAND expects every man to do his duty.” Nelson’s famous command was to be his last and effectively signalled the end of the Battle of Trafalgar. Details surrounding the start of the campaign are much more sketchy, but on February 20 Lincoln auctioneers Thomas Mawer & Son will be offering a memorandum written by Nelson to launch the famous battle.

THE country’s most famous antiques dealer David Dickinson, now a television superstar, did not work his magic on George Taylor, organiser of the Great Northern International Antiques and Collectors’ Fair at Harrogate’s Great Yorkshire Showground.

MAYFAIR’S only specialist in tribal art, the Gordon Reece Gallery, hold an exhibition Gabbehs: an idiosyncratic art form from February 21 to March 29.

The first furniture sale of the year at Sotheby’s Olympia (20/12% buyer’s premium) was a 272-lot gathering on January 14 which saw two-thirds of the contents change hands.

BESWICK is one of the strongest areas of the 20th century collectable ceramics market so it was not surprising to see trade and private collectors packing these Leicestershire rooms at Gildings to bid on a large single-owner collection from a local deceased estate. What was surprising were the lengths to which bidders would go.

The Spring Fine Art & Antiques Fair at Olympia, which will be held in London from February 25 to March 2, has received a record amount of publicity thanks to this Graham Sutherland (1903-1980) portrait of Churchill, right.

TIME waits for no man, the saying goes, and clients of Abraham-Louis Bréguet were certainly reminded of this fact when paying their monthly instalments to the Swiss-born watchmaker for Souscription pocket watches like this example right which featured at Woolley & Wallis’s sale on January 29.

AT a time when several categories of London picture sales are struggling to achieve selling rates of 50 or 60 per cent, marine pictures appear to be one area with a rich enough client base to ride the current global financial storms.

Wiltshire auctioneers Finan & Co., have carved out a niche for themselves by steering clear of brown furniture and 19th century porcelain and offering slightly more exotic fare.