UK

LAST September, businessman and glass enthusiast Nicholas Lyne sold his stake in Berkshire auctioneers Law Fine Art to his partner and co-founder Mark Law and teamed up with Sussex ceramics dealer Brad Dover of Jupiter Antiques to launch the Kensington Ceramics & Glass Fair, the first of which was held at the Kensington Close Hotel on February 26 and 27.

THE final 130 or so offerings in Abbotts (10% buyer's premium) 675-lot Suffolk sale on March 10 showed that good examples of standard late Georgian and Victorian furniture can still find buyers if the price is right.

FIFTEEN or so years ago works by the likes of Helen Allingham (1848-1926) and the Stannards of Bedfordshire had the sweet smell of success all over them. However, in more recent times the general consensus is that watercolours of this genre, which I loosely describe as “roses round the cottage door”, have slipped from favour.

Illustrated in colour on the catalogue cover of Clevedon Salerooms’ March 4 sale was a watercolour described as being by Richard Parkes Bonington (1801-1828).

JUST two of the 600 or so lots that made up a March 2 sale of books and prints held by John Nicholson of Fernhurst, Surrey, managed four figure bids – a binding and a postcard album.

ARE there any corners of Britain where the trade can enjoy an old-fashioned auction without the intrusion of confident private buyers? If so, Abergavenny is no longer one of them.

ALTHOUGH Derwent Lees (1885-1931) is recorded in reference books, such as the Handbook of Modern British Painting and Print-making 1900-1990, published by Ashgate, he is not that well known outside specialist trade circles.

ALREADY a good day out for the public, there is increasing trade awareness of the Oxford Brocante, the third of which will be held on Sunday April 18 at the Randolph Hotel in Beaumont Street. With the emphasis very much on decorative works it also offers vintage fashion.

IT could have come straight out of one of the author’s own stories – a lost archive of unique material valued at two million pounds uncovered in the offices of a London law firm after being missing for decades.

BUYERS may have been thin on the ground for the more routine furniture in this 712-lot Crow's, Dorking (10% buyer's premium) sale on February 25, but the four telephone lines booked for a Georgian Chippendale rectangular tilt-top occasional table ensured this would be a hotly contested entry.

Bonham’s had no difficulty dispersing the first instalment of the mammoth collection of Worcester porcelain formed by Milton and Jeanne Zorensky, offered in their New Bond Street rooms on March 16. Just five of the 416 lots were left unsold and even these had all found buyers by the end of the day.

INITIAL arguments in the £1.75m High Court dispute between Christie’s and Taylor Lynne Thomson over a pair of porphyry urns indicate that both parties intend to fight their corner vigorously.

THERE was quite a lot of frenzied activity at Bonhams (aka Glendinings) in the days running up to their sale on February 24.

On a day when early pieces took the top prices at Mallams (15% buyer's premium) sale on March 3, one of the earliest was this late 16th century Venetian bronze inkwell, right.

PROMOTION is the strong point of Richard Gardner, chairman of the Petworth Art and Antique Dealers’ Association, and he tells me the association is holding a Treasure Hunt on April 24. The prize actually is well worth winning, a nice antique silver-gilt caster.

The highlight of the sale conducted by Bourne End Auction Rooms (12% buyer’s premium) near Marlow, Buckinghamshire, on March 4 was this pair of tin-glazed earthenware plates, right, made c.1740 by Saverio Grue at the Castelli factory in Naples.

LETTERS from the philosopher Ludwig Wittgenstein to members of his family are rarely seen on the market, but one lot in a Sotheby’s sale of December 9 presented no fewer that 40 letters and postcards addressed to his pianist brother Paul, among them some of the earlier known letters in his hand and, naturally enough, containing much on the subject of music. This lot found a buyer at £42,000.

WILTSHIRE ceramics specialist Andrew Dando has been mounting annual selling exhibitions for more than a decade and the tradition goes on in 2004.

WHAT would otherwise have been a sound enough sale at Andrew Grant Auctioneers (15% buyer's premium), Worcester, on February 19 provided two trade talking points – one positive, the other negative – after the differing fortunes of three lots among the ceramics.

“COINS transmit the image of a ruler far more widely than any other medium available before photography.” Thus the blurb trumpeting the exhibition in the British Museum of portraits on coins.