UK

WITH giant sales every three weeks, Keys (10% buyer's premium) of Aylsham will cheerfully put two-figure lots under the hammer, but there were also a number of four-figure sellers to help swell the hammer total to £110,000 at the latest 1640-lot outing on June 2-3.

ONCE criticised for its sometimes curious aesthetics, William IV and Victorian furniture is today more likely to be maligned for its relatively poor performance as a ten-year investment. However, there are still aces out there that merit the chase – and one turned up at Bruton Knowles' (15% buyer's premium) on May 27.

AS the hubbub dies down in London, there is no shortage of action in the provinces.

TWO very strong prices, one in Edinburgh and one in London have underlined the status of the Zeigler as the most fashionable of late 19th century carpets. And the £110,000 and £130,000 bid for Zeigler & Co. carpets at Lyon & Turnbull on March 31 (Antiques Trade Gazette 1636, April 24) and Sotheby’s on April 28 (Antiques Trade Gazette 1641, May 29) had one thing in common – both were made with cream grounds.

AN airheaded and insubstantial vice it might be, but plainly vanity has lasting appeal at auction, judging by the success of the coromandel veneered lady’s box, top right, and the gentleman’s hide toilet case, bottom right, offered at Amersham Auctions Rooms (15% buyer's premium) on June 6.

A FEW weeks ago, The Guardian published a sensible and responsible feature concerning the current malaise of the antiques trade.

THE 19th century European Paintings sales at Sotheby’s are divided into a number of regionally-themed sections which are enjoying varying degrees of health. Although they continue to have their occasional moments, the formerly booming markets for Orientalist, German and Scandinavian pictures continue to be pale reflections of their former selves.

BACK in July 1984, Christie’s took £75,000 (£81,000 with premium) for Thomas Rowlandson’s (1756-1827) pièce de résistance watercolour of Box-lobby loungers.

FEW fair organisers are bolder than Caroline Penman who, for decades, has been putting together such respected and traditional fixtures as the Chelsea and West London Antique Fairs. Not every Penman endeavour succeeds, but Caroline keeps coming up with new ideas and venues and, from September 3 to 5, she moves to East Anglia to launch the Bury St. Edmunds Antiques Fair at The Athenaeum in the Suffolk town’s Angel Square.

LEADING the sale conducted by John Taylors (12% buyer’s premium) in Louth on June 1 was a marine barometer by Rodgerson & Co.

THE remarkable sums paid in London for high quality Islamic works of art arrived in the provinces in June.

AN ambitious project to record every oil painting in public ownership across the UK has started with the backing of leading lights of the art world.

THE first victory for a new art recovery company, a statue stolen from one of Yorkshire’s finest stately homes almost two years ago has been recovered in Chicago.

THIS technical marvel of the ancient world, pictured right, known as a Roman glass diatretum or cage cup, was cut out of a single blank of glass to form two layers. The solid inner cup is linked to its outer cage only by a series of delicate struts.

DEALERS should be aware of a stolen cheque scam that targets regular Internet bankers.

TWENTIETH century and Contemporary art underlined their status as the key growth areas for the major auction houses when London’s June round of Part I Impressionist, Modern and Contemporary sales netted £120.4m. Six months ago the equivalent sales took £94m, while back in June 2003 – when war was raging in Iraq – they could only muster a relatively modest £81m.

THERE was scarcely a facet of numismatic endeavour which was not represented in Baldwin’s (15% buyer’s premium) sale of May 4 and 5 (2018 lots).

PROFESSOR Edward T. Hall (1924-2001) was a born collector, amassing over a million cigarette cards as a schoolboy at Eton College and later building a celebrated collection of clocks and scientific instruments that was sold at Christie’s King Street last July.

IN the last three years Bonhams have bagged several large quality Chinese consignments such as the Cunliffe collection of blue and white and the De Boulay collection sold last November, but this June there were no such dispersals to spark bidding battles between dealers or collectors in their 465-lot auction on June 8. Although few entries flew, there was demand for the best-quality Chinese-taste works and entries with mainland Chinese appeal.

THE point is often made that so-called apprentice pieces or miniatures will command more than their lifesize equivalents. This was certainly the case with the diminutive oak bureau pictured right, a meticulously made and finely-preserved 16 1/2in (42cm) wide 18th century replica of an otherwise standard Georgian form. Estimated at £3000-4000, it proved the winner on an otherwise difficult day at the Netherhampton Salerooms (15% buyer’s premium) on April 28 when it sold at £6000.