UK

An exhibition of the photographs of Marilyn Stafford travelled from Lucy Bell Fine Art in East Sussex last weekend to reopen in London’s Art Bermondsey Project Space on Tuesday, June 27.

Until its conversion into a pizzeria and cocktail bar three years ago, The Spread Eagle pub in Greenwich had hardly changed since its origins as a 17th century coaching inn.

ATG previews a couple of upcoming lots at London auctions.

Some of the more successful lots in a June 1 sale at PBA Galleries (20/15% buyer’s premium) of the first portion of the Richard Beagle collection of angling and sporting books were scarce accounts of early hunting trips in the Yukon and Wyoming.

More than 600 people crowded into Clark Art in Cheshire on June 15 for the opening night of its annual exhibition on northern English painting.

Two pieces of seating furniture which no early 20th century wealthy middle-class home would have lacked went comfortably over estimates at sales from Hampshire to Yorkshire in May.

The antiquities trade’s packed summer schedule got off to a bright start at Sotheby’s (25/20/12% buyer’s premium) in London. The ancient art sale was the second to be held since the auction house reopened its London unit in 2016. Over the last two decades, Sotheby’s had sold ancient art through its New York saleroom only.

Standing by the stairs of a modest Cumbrian seaside home, a pair of 19th century treen figures dominated the sale, both physically and in price terms, at 1818 Auctions (20% buyer’s premium inc VAT) at Milnthorpe on June 6.

Returning clients are usually welcome, but few more so than the couple who consigned two pieces of Red Anchor Chelsea to the sale at Lacy Scott & Knight’s (17.5% buyer’s premium) on June 10.

Karen Taylor Fine Art’s exhibition of British drawings, watercolours and oils takes place from 30 June-July 7 at Illustrationcupboard Gallery in St James’s.

Catalogued as ‘after the antique’, this marble figure of Aphrodite was the unexpected star of Chiswick Auctions’ June 14 sale of antiquities and tribal art in London.

Mixing ancient and new is all the rage. The contemporary art boom has drawn new faces into the antiquities market, changing the way the trade think and display ancient art.

Charles Ede has bowed out of this week’s Masterpiece London in favour of the trio of TEFAFs. ATG meets two of the directors to find out how a synthesis of ancient and modern can benefit this long-standing family firm.

Consigned from a deceased estate, a 19th century oil of a popular Venetian view topped Mitchells’ (20% buyer’s premium) June 1 auction in Cockermouth, Cumbria.

Written in 1960, Edna O’Brien’s The Country Girls broke the silence on sex in a socially repressive Ireland, seen through the lives of Kate and Baba, two young Irish country girls yearning for love who move from rural Ireland to Dublin to find it.

London art and antiques galleries have been alerted to a scam that has seen at least four dealers preyed on by tricksters.

“I have gazed upon the face of Agamemnon”. Arguably the most famous words in archaeological history, they were supposedly uttered by German archaeologist Heinrich Schliemann in 1876 as he unearthed a gold mask at Mycenae. Some 140 years later, portraits from antiquity remain powerful reminders of our ancient past.

“In order to prevent the further slaughter of Dublin citizens, and in the hope of saving the lives of our followers, now surrounded and hopelessly outnumbered, the members of the Provisional Governments present at Head Quarters have agreed to an unconditional surrender…”